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Introduction
The RCS MMus Opera course has, over the last twenty years, established an enviable record in training and preparing singers for a career, and continues to serve as an effective platform to launch young artists onto the first steps of their professionalcareer pathway.
The Opera School is led by Head of Opera, Philip White. The school is also supported by Professor Stephen Robertson, a vocal pedagogue, and Opera lecturers Mark Hathaway and Duncan Williams
The department is a relatively small one, with 20-25 students over the two-year course, so all students receive a great deal of individual attention.
The RCS vocal staff is made up of experienced and distinguished teachers and practitioners, and a wide range of visiting coaches, directors and guest artists provide a constant source of external stimulus.
A varied programme of performance takes place throughout the year. Opera Scenes allow students to experience different repertoire and style, and to discover their own strengths and weaknesses.
The second-year productions explore chamber opera repertoire and along with the full-scale productions in the New Athenaeum Theatre, they provide opportunities to perform and collaborate with artists from across the RCS and with external visiting directors and conductors.
Additionally, there are performance opportunities with Scottish Opera and regular concert series within RCS. Professional agents and opera companies are frequent visitors, ensuring the Opera School is a busy and vibrant place to learn.
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Programme structure
In addition to singing lessons, coaching and performance opportunities, a range of core skills in acting, movement, languages, French, German and Italian repertoire, audition technique are taught. These are assessed on an ongoing basis as part of ‘Supporting Studies’, while the principal assessments are, of course, focussed on the performances themselves. Opera scenes allow students to experience different repertoire and style, and to discover their own strengths and weaknesses. There have been also been recent collaborations with Scottish Opera in a variety of outfits. Professional agents and opera companies are frequent visitors.
The RCS shares a close relationship with Scottish Opera and has collaborated on a project or production annually since 2004, with performances in professional external venues in both Glasgow and Edinburgh.
Repertoire is very wide-ranging. Repertoire is chosen around the strengths of the students and seeks to engage the students with its content in seeking to expand their vocabulary in terms of vocal technique and stagecraft ability. Its suitability for that purpose has explored the very early (Monteverdi, Cavalli), mainstream (Rossini, Donizetti, Massenet, Bizet, Puccini, Tchaikovsky), a rich vein of 20th century repertoire (Prokofiev, Stravinsky, Britten) to contemporary works by Jonathan Dove and Judith Weir and a new commission by Rory Boyle.
We regularly invite guests to RCS to work with students to advise on current industry requirements, with students participating in mock auditions and receiving feedback on their
performance and CVs.Recent guests include Christian Curnyn and David Roblou (Baroque specialists), Matthew Waldren, Lionel Friend, Anthony Kraus and directors James Bonas, Jack Furness, Caroline Clegg, Jamie Manton, Maxine Braham, Olivia Fuchs, William Relton, Ashley Dean, Harry Fehr, Matthew Eberhardt, Stephen Lawless, Keith Warner and Julia Hollander.
There are many opportunities to participate in masterclasses. Recent masterclasses include Susan Bullock CBE, Karen Cargill, Simon Keenlyside, Dame Gwyneth Jones, Dame Felicity Lott, Sir Thomas Allen, John Treleaven, Malcolm Martineau, Rosalind Plowright, Barbara Bonney, Roderick Williams, Jane Eaglen and Christine Brewer. Several of these are regular visitors, and not only work in the ‘traditional’ masterclass format, but also work with students in private sessions.
MMus Programme Structure
The MMus programme is divided into Stage 1 and Stage 2. Stage 1 is common to both degrees, and may also lead to the exit award of PGDip. In Stage 2, MMus students follow different pathways leading to their respective degrees.
Stage 1: PGDip
Principal Study 1 — 80 SCQF credits
Supporting Studies 1 — 30, 20 or 10 SCQF credits
Practice Research — 10 SCQF credits
Options — 0, 10 or 20 SCQF credits
Stage 2: MMus
Principal Study 2 — 90 SCQF credits
Supporting Studies 2 — 30, 20 or 10 SCQF credits
Options — 0, 10 or 20 SCQF credits
Principal Study
The primary focus of your learning will be the Principal Study. This core activity — and in particular, the individual lesson — will refine the skills essential to meeting the artistic and technical expectations of the programme. It will equip you with many of the skills needed to exercise independent learning and develop the autonomy necessary for a professional career. In the case of the degrees in Performance, and Historically Informed Performance Practice, the Principal Study is your instrumental or vocal discipline; for the degrees in Opera, Conducting, Repetiteurship, Piano for Dance, and Accompaniment, it refers to the full range of skills associated with those roles, including high-level performance skills. For the MMus Composition, Principal Study is the practice of composition, within which you may specialise in acoustic or electroacoustic composition. For the MMus Chamber Music, the Principal Study will comprise the ensemble work of the group. Within the credit assigned for Principal Study, the contact hours are flexibly assigned to suit your particular needs as a student.
Supporting Studies
Supporting Studies incorporates many of the distinctive features of conservatoire study, and contributes towards the creation of a near-professional learning environment. In this module, you will have the opportunity to take part in a range of negotiated activities in supporting both of your Principal Study and your development as an emerging professional. The emphasis is on working with your peers, whether through the presentation of performance classes or collaborative activities such as chamber music, orchestra or ensemble work. The module also incorporates a series of cohort-wide graduate seminars, addressing such areas as research skills, critical thinking, professional development, reflective practice, health and wellbeing, and equality and diversity.
Practice Research
This module challenges you to examine critically an aspect of your arts practice by means of an individually-negotiated portfolio of research, reflection and/or documentation. Over the course of your studies, with the support of a supervisor, you will assemble a portfolio of documentation and reflective writing that interrogates a self-chosen research focus and communicates your findings.
Options
Options give space within the curriculum for you to engage in studies which enhance your professional versatility, by pursuing areas of interest either close to or far away from your core discipline. The range of modules available is very wide, including options drawn from the undergraduate programmes in both the School of Music and the School of Drama, Dance, Production and Film. The design of the programme puts no restrictions on the level of the options/s chosen. There is a significant range of choice available in the amount of credit taken in this way, with students free to choose pathways which place greater weight on Supporting Studies.
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Why choose us?
The Royal Conservatoire of Scotland is in the World Top 10 for performing arts education 2016, 2017, 2018, 2020 and 2021 (QS World Rankings)- We have a close relationship with Scottish Opera, with students participating in workshops and collaborative projects, as well as accessing dress rehearsals throughout the year; many
graduates have progressed to join Scottish Opera’s prestigious Emerging Artists programme - 90 minutes of one-to-one vocal tuition per week
- Acting classes throughout your studies which lead to a series of Opera Scenes in your first year
- Intensive audition preparation where you will grow confident in auditioning for companies
across the world - Regular one-to-one coaching sessions
- Two fully-staged operas per year plus one chamber opera
- All first-year Opera students partake in a role study (normally a Mozart role)
- Frequent visits from professional companies and agents including Glyndebourne Festival Opera, Scottish Opera, Bayreuth Festival, Independent Opera, Garsington Opera, Clonter Opera, Berlin Opera Academy, British Youth Opera and Grange Park Opera
- Links with the Royal Opera House, giving you access to stage rehearsals, workshops and coaching opportunities
- Excellent record of student successes at international competitions including Cardiff Singer of the World, the Neue Stimmen and Clonter Opera prize
- Opportunity to learn from guest coaches and directors from all over Europe; recent guests include Seann Alderking, David Cowan, Joyce Fieldsend, Matteo Dalle Fratte, Gerhard Gall, David Gowland, Anthony Negus, Sonja Nerdrum, Rachel Nicholls, Ingrid Surgenor, Jonathon Swinard, Steven Maughan and Anthony Legge
- We have a close relationship with Scottish Opera, with students participating in workshops and collaborative projects, as well as accessing dress rehearsals throughout the year; many
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Teaching staff
Philip White
Head of OperaProfessor Stephen Robertson MA (Oxon) FRCO LRAM ARCM
Head of Vocal PerformanceKeith Warner
Associate ArtistMark Hathaway
Lecturer (Acting)Duncan Williams
Vocal CoachVocal tutors
- Scott Johnson
- Helen Lawson ARCM (Hons)
- Wilma MacDougall
- Stuart MacIntyre
- Elizabeth McCormack
- Kathleen McKellar Ferguson DRSAMD DipMusEd LRAM
- Linda Ormiston OBE
- Iain Paton
- Clare Shearer
- Julian Tovey MA (Oxon), MLitt
Coaches
- Seann Alderking
- Professor Timothy Dean
- Joyce Fieldsend
- David Gowland
- Fiona MacSherry
- Steven Maughan
- Patricia MacMahon
- Anthony Legge
- Ingrid Surgenor
Language Coaches
- Professor Christopher Underwood French
- Héloïse Bernard French
- Sonja Nerdrum French
- Geoffrey Tanti Italian
- Matteo Dalle Fratte Italian
- Helen Lawson German
- Gerhard Gall German
Masterclasses
All students can attend and take part in masterclasses as appropriate. Masterclass guests have recently included Recent masterclasses include Susan Bullock CBE, Karen Cargill, Simon Keenlyside, Dame Gwyneth Jones, Dame Felicity Lott, Sir Thomas Allen, John Treleaven, Malcolm Martineau, Rosalind Plowright, Barbara Bonney, Roderick Williams, Jane Eaglen and Christine Brewer. Many of these not only give the oft-encountered three-hour public format but also give coaching sessions and teaching in closed situations where students can really feel that they can risk trying a new challenge. Many of our masterclass givers return more than once to further pursue the work which they have previously begun.
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Facilities
The facilities which the department enjoys are excellent. In addition to the expected range of well-equipped teaching studios, singers have the benefit of the Alexander Gibson Opera School — including the Opera Studio space. The Conservatoire Concert Hall and the Theatre are used by the Opera Department giving students a valuable performance experience. The Ledger Recital Room is used for many classes and competitionsIn the past year the department has also undertaken performances in Glasgow City Halls (home of the BBCSO) with a commemorative performance of Prokoviev’s The Fiery Angel and Stravinsky’s Les Noces. Other venues which have housed opera and concert performances outside the main Conservatoire building include the splendid early Gothic Glasgow Cathedral, St Mary’s Cathedral, Paisley Abbey, and the concert halls in Perth and Aberdeen
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Graduate destinations
Since the inception of the MMus Opera programme in 1994, students have come from all over the world to study in Glasgow and, of course, many have since have forged international careers and are therefore now to be found singing on the international opera stage. The most common immediate destinations are:
- Scottish Opera Emerging Artist Programme
- Opera Studios / Young Artist Programmes in Europe (Strasbourg, Berlin, Zurich, Munich)
- Equivalent destinations in the UK ie The National Opera Studio/ Jette Parker Young Artists Programme at the Royal Opera House Covent Garden.
Recent graduates have been offered places on the Covent Garden Jette Parker scheme, the National Opera Studio, the Welsh International Academy of Voice, the International Opera Studio Staatsoper Berlin, the Salzburg Festival Young Singers Project, Opera Studio Bregenz Festival, the Verbier Academy, as well as contracts in fully professional houses including the Royal Opera House, Staatsoper Berlin, Deutsche Oper Berlin, English National Opera, Scottish Opera, Opera North, Welsh National and Royal Opera Den Norske.
Opera alumni include:
- Rebecca Afonwy-Jones
- Peter Auty
- Dominic Barberi – Cardiff Singer of the World finalist, 2017
- Jeni Bern
- Lee Bisset
- Richard Burkhard
- Karen Cargill
- Michel de Souza
- Anush Hovhannisyan – Cardiff Singer of the World finalist, 2017
- Lisa Milne
- Catriona Morison – Cardiff Singer of the World winner, 2017
- Elin Pritchard
- Jung Soo Yun
- Svetlina Stoyanova – Neue Stimmen winner, 2017
Graduate Svetlina Stoyanova won 1st prize in the Neue Stimmen International Singing Competition in 2017. Svetlina is currently a member of the Vienna State Opera, you can find out more about her time at RCS in her video interview.
Graduate Catriona Morison received an Honorary Professorship during our 2017 Graduation and Fellowship Ceremony.
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Images and video
Threepenny Opera
The Rape of Lucretia
Dead Man Walking
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Fees and scholarships
Tuition fees for academic year 2021-22
- MMus Opera (2 years) UK Students – £10,452
- MMus Opera (2 years) International Students (Including EU) – £22,476
- MA Opera (1 year) UK Students – £14,316
- MA Opera (1 year) International (Including EU) – £25,200
From the next academic year (21/22) all EU students commencing study in Scotland will pay fees at the International rate.
Scottish
New Scottish domiciled students may be eligible for a Postgraduate Tuition Fee Loan. All eligible students will be able to apply directly to Student Awards Agency for Scotland (SAAS) for a non-means-tested loan of up to £3,400. See the SAAS website for further details of the PSAS scheme.
Scottish domiciled postgraduate students on eligible courses can also apply for a Postgraduate Living Cost Loan up to £4,500 towards living expenses. This is in addition to the existing loan available towards the cost of their tuition fees.
English
Postgraduate students from England can benefit from a postgraduate loan of up to £11,222 (in 2020/2021) to be used towards tuition fees and/or living costs.
Northern Irish
Students from Northern Ireland may be eligible to apply for a Postgraduate Tuition Fee Loan of up to £5,500 to help with the cost of their course fees. Please see the Student Finance NI website for more details.
Welsh
From 1 August 2019, students ordinarily resident in Wales (and those from the EU studying at a Welsh institution) may be entitled to a combination of loan and grant as a contribution to costs while studying a postgraduate Master’s degree course. The total amount of support available is non-means-tested and is paid directly to the student. The total support available to an eligible student is £17,000. A grant of up to £6,885 is available, depending upon household income. The balance of support is a loan.
Support comprises of the following elements:
- A non-means-tested contribution to costs base grant of £1,000 is available to all eligible students. ï‚·
- An additional means-tested contribution to costs grant of £5,885 is available to eligible students with a household income of up to £18,370 per annum. For every £6.937 of household income per annum above this threshold, the amount of additional means-tested grant will be reduced by £1.
- A non-means-tested contribution to costs loan is available to all eligible students. The amount of loan available will be equal to the level of total support (£17,000 in 2019/20) less the total grant (base grant plus additional grant) a student is eligible for.
For part-time study, support is allocated over the number of years the course is studied. Support is capped in each academic year; for example, £17,000 for a one year course, £8,500 per year for a course lasting two years and £4,250 per year for a course lasting four years. Full-time courses between one and two years are eligible for support. Part-time courses of up to four years are eligible for support.
EU Students
The Royal Conservatoire is resolutely international in outlook and we celebrate and are enriched by the diversity of our community of students and staff. Students from across the globe are -welcome and valued members of the RCS community and we continue to welcome applicants from across the EU and throughout the world.
Q: What is the fee situation for EU students?
A: On July 9 2020 Scotland’s Minister for Further Education, Higher Education and Science, Richard Lochhead announced changes to the fee regime for EU students studying in Scotland. From next academic year (21/22) all EU students commencing study in Scotland will pay fees at the International rate.
Q: I’m an EU student looking to start my studies in 2021-22. How does this impact me?
A: From the next academic year (21/22) all EU students commencing study in Scotland will pay fees at the International rate.
Only EU nationals who are ‘settled’ or ‘pre-settled’ in the UK will remain eligible to apply for home tuition fees providing they meet the residency conditions.
Other EU nationals and associated groups, starting a course of study in academic year 2021-22 or later, are not eligible to apply to SAAS for tuition fee support.
Because of a long-standing agreement between the UK and Republic of Ireland, new students from the Republic of Ireland starting their studies in 2021-22 will be eligible to pay the UK fee.
Scholarships
Any potential student who auditions for a place at the Royal Conservatoire will automatically be considered for a scholarship. They are awarded on a combination of talent, potential and financial need. More information about Scholarships is available on our Fees and Funding page.
Sources of external funding
For more information about alternative funding sources, including external scholarships and bursaries, please visit our Fees and Funding page.
The Conservatoire’s International and Student Experience team are available to advise and assist applicants and current students in respect of queries about funding your studies at the Conservatoire. Please email or telephone +44 (0)141 270 8281/ +44 (0)141 270 8223 for further information.
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Entry requirements
Our admissions processes are designed to be fair, transparent and efficient. The audition/interview approach serves the dual nature of allowing the panel to assess first-hand an applicant’s suitability for their chosen programme and it also affords the applicant the opportunity to gain a deeper insight into the nature of that programme and the opportunities offered by the RCS.
In arriving at its recommendation, the audition/interview panel will take account of all aspects of the applicant’s profile i.e.:
- Performance at audition/interview
- Commitment to the particular programme
- Potential to benefit from the programme
- Academic qualifications
- Personal statement
- Performance qualifications
- Performance/practical experience
- References
- Contextualised data
Academic Entry Requirements
Candidates for both the MMus and MA are normally expected to hold a good honours (at least 2:2) degree, or its overseas equivalent, in a subject area relevant to the demands of the programme.
Language of Study
The language of study is English. Applicants who first language is not English will be required to provide evidence of proficiency in English. We accept the International English Language Testing System (IELTS). Level 6.0 (with a minimum score of 5.5 in each component) is required of applicants to the School of Music.
Direct Entry
Applications for direct entry beyond Year 1 will be considered on a case-by-case basis and in accordance with the Royal Conservatoire’s Recognition of Prior (Experiential) Learning policy. If you wish to apply for direct entry, please mark the point of entry on UCAS Conservatoires application as 2.
Non-standard Entry
We welcome applications from individuals whose academic qualifications or English language qualifications do not match (in terms of equivalence) or fall short of the normal entrance requirements, where specified*. Having satisfied the Audition Panel that they meet the selection criteria and demonstrated that they have the capacity to pursue the proposed course of study, such applicants will be considered through examination of contextualised data provided in accordance with the Non-Standard Entry Policy. The appropriate Head of Department/ Programme will make a case in support of the applicant for consideration by the Directors of the Schools and Convener of the Quality and Standards Committee.
*Note that UK Visa and Immigration (UKVI) imposes minimum English Language qualifications in respect of international (non-EU) applicants who require a Tier 4 Visa to study in the UK.
Mature Students
RCS welcomes applications from mature students, i.e. students over the age of 21 at entry to the programme. Whilst the selection procedures will still be applied, consideration will be given to appropriate artistic experience not normally expected in school leavers, which is deemed to compensate for any lack of traditional entrance qualifications. Successful mature applicants, as for all other applicants, must convince auditioning panels that they have the ability and potential to cope with the demands of the programme. Their progress, especially in the early stages of the programme, will be closely monitored and appropriate advice and support given.
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How to Apply
- Apply via UCAS conservatoires
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Applications are made through UCAS Conservatoires website. The UCAS Conservatoires application system is separate from the main UCAS undergraduate application system. If you wish to apply to conservatoires and universities within UCAS, you will need to register for both services.
There is a UCAS application fee of £26.50 to register to use UCAS Conservatoires, for 2021 entry.
To begin a new UCAS Conservatoires application, you will need to register. You can read the UCAS Conservatoires’ advice on completing the UCAS Conservatoires application.
If you need assistance with your application, you can contact UCAS Conservatoires team by telephoning (Monday to Friday, 8.30 — 18.00). Phone 0371 468 0470 from within the UK or +44 330 3330 232 if you are calling from overseas.
Application deadline date
The deadline dates to apply and submit your audition recording can be found in the table below –
UCAS Conservatoires Application Deadline Audition Recording Deadline Applicants 1 October 2021 16 October 2021 Once you submit your UCAS Conservatoires application, please then upload your audition recording to Acceptd – https://app.getacceptd.com/rcs.
If you submit your application after this date, we cannot guarantee that your audition recording will be reviewed by the audition panel. If you do want to submit a late application, you must contact admissions@rcs.ac.uk in the first instance to check we are accepting late applications. Late applications will be considered on a case by case basis and will not be considered in the first round of scholarship allocation.
We do not offer deferred entry. If you wish to commence in 2023, you must apply next year.
The Royal Conservatoire of Scotland institution code is R58.
MMus Opera (2 years) – 851F
Book an advice lesson with one of our Music tutors (faculty)
An advice lesson gives you the chance to experience having a lesson with Conservatoire staff and provides a great opportunity for you to gain some expert advice. If you are unsure of what programme you wish to apply for, we recommend booking an advice audition with a teacher who can assist gauge which programme you may be suitable for. Advice lessons normally take place late August to early October and are dependent on staff availability.
Email hello@rcs.ac.uk to book a lesson.
- Application fee
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There is a UCAS Conservatoires application fee of £26.50. In addition to the application fee, each conservatoire charges an audition assessment administration fee. For RCS, the audition assessment administration fee is £65 per programme applied for. Fees are not refundable. The fees are paid via the UCAS Conservatoires website and not directly to RCS.
Audition Assessment Administration fee
The Royal Conservatoire of Scotland charges an audition assessment administration fee of £65 per course.
We recognise that auditioning and interviewing for conservatoires, drama and ballet schools can be costly. The audition assessment administration fee charge allows us to offer a thorough and positive experience to all applicants and we encourage you to get in touch to ask the panel questions and find out more about the Royal Conservatoire of Scotland to see if it is the best place for you.
- References
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It is your responsibility to ask two separate referees to write references and ensure that these are sent to RCS.
The references must be written by two different people and we will not accept references from family, other relatives or close friends. You can submit your UCAS Conservatoires application form and send your references at a later date, but they must be received prior to your audition date.
UCAS Conservatoires provides reference forms for you to download and send to your referees for completion.
- Entrance requirements
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Our admissions processes are designed to be fair, transparent and efficient. The audition/interview approach serves the dual nature of allowing the panel to assess first-hand an applicant’s suitability for their chosen programme and it also affords the applicant the opportunity to gain a deeper insight into the nature of that programme and the opportunities offered by the RCS.
In arriving at its recommendation, the audition/interview panel will take account of all aspects of the applicant’s profile i.e.:
- Performance at audition/interview
- Commitment to the particular programme
- Potential to benefit from the programme
- Academic qualifications
- Personal statement
- Performance qualifications
- Performance/practical experience
- References
- Contextualised data
Academic Entry Requirements
Candidates for both the MMus and MA are normally expected to hold a good honours (at least 2:2) degree, or its overseas equivalent, in a subject area relevant to the demands of the programme.
Language of Study
The language of study is English. Applicants who first language is not English will be required to provide evidence of proficiency in English. We accept the International English Language Testing System (IELTS). Level 6.0 (with a minimum score of 5.5 in each component) is required of applicants to the School of Music.
Direct Entry
Applications for direct entry beyond Year 1 will be considered on a case-by-case basis and in accordance with the Royal Conservatoire’s Recognition of Prior (Experiential) Learning policy. If you wish to apply for direct entry, please mark the point of entry on UCAS Conservatoires application as 2.
Non-standard Entry
We welcome applications from individuals whose academic qualifications or English language qualifications do not match (in terms of equivalence) or fall short of the normal entrance requirements, where specified*. Having satisfied the Audition Panel that they meet the selection criteria and demonstrated that they have the capacity to pursue the proposed course of study, such applicants will be considered through examination of contextualised data provided in accordance with the Non-Standard Entry Policy. The appropriate Head of Department/ Programme will make a case in support of the applicant for consideration by the Directors of the Schools and Convener of the Quality and Standards Committee.
*Note that UK Visa and Immigration (UKVI) imposes minimum English Language qualifications in respect of international (non-EU) applicants who require a Tier 4 Visa to study in the UK.
Mature Students
RCS welcomes applications from mature students, i.e. students over the age of 21 at entry to the programme. Whilst the selection procedures will still be applied, consideration will be given to appropriate artistic experience not normally expected in school leavers, which is deemed to compensate for any lack of traditional entrance qualifications. Successful mature applicants, as for all other applicants, must convince auditioning panels that they have the ability and potential to cope with the demands of the programme. Their progress, especially in the early stages of the programme, will be closely monitored and appropriate advice and support given.
- Selection process
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Applicants who apply on time invited to upload their audition recording to Acceptd. The deadline dates can be found below –
UCAS Conservatoires Application Deadline Audition Recording Deadline Applicants 1 October 2021 15 October 2021 If you submit your audition recording after this date, we cannot guarantee that your audition recording will be reviewed by the audition panel.
Please note that the Conservatoire is obliged to offer one audition recording per application. If you are unable to submit your audition recording by the deadline date above, you must email us immediately stating the reason. We have a specific period allocation to audition and all on time applications will receive a decision before Christmas (week commencing 13 December 2021). If your audition recording is delayed, there is a risk that places will already have been taken and your application may not be considered in the first round of scholarship allocation.
Applicants are selected first and foremost on the basis of merit and potential. However, due attention is also paid to the range of Principal Studies accepted in order to ensure the optimum experience for each student and to sustain the critical mass required for curricular activities, such as the symphony orchestra and choral activities.
- Audition
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With the safety of our students, applicants and staff as our priority, all auditions will take place via audition recording. This may or may not be followed up by an in-person interview or further audition. The deadline dates to apply and submit your audition recording can be found in the table below –
UCAS Conservatoires Application Deadline Audition Recording Deadline Applicants 1 October 2021 15 October 2021 Once you submit your UCAS Conservatoires application, please then upload your audition recording to Acceptd – https://app.getacceptd.com/rcs.
All decisions will be posted on UCAS Conservatoires following your audition via UCAS Conservatoires track (you will need your username and password). We aim to post outcomes before Christmas (week commencing 13 December 2021).
- a high degree of technical competency on the instrument or voice in the service of specific repertoire
- an ability to demonstrate a considerable degree of understanding of the repertoire performed
- an ability to perform specific repertoire convincingly
- a considerable degree of self-confidence and creativity with respect to the repertoire performed
- a degree of self-sufficiency, initiative and independence in selecting, preparing and performing a particular programme
- a developing musical personality.
Recording Guidelines:
- When setting up for your video recording, your body (typically, from about the waist up) and instrument should be the focal point of the frame. The committee wants to be able to see not just your face but how well you navigate your instrument.
- The video recording should be provided in ONE continuous shot without separate tracks for different musical pieces.
- Please begin the recording by introducing yourself to camera and stating what you will be performing. You can take a little time between pieces so long as your body must remain in the frame.
- For any pieces that were written for your instrument and piano accompaniment, you are encouraged to perform with piano accompaniment (whether live or pre-recorded) if practical for you. Be assured, however, that if this is not possible for you, then you will not be disadvantaged in any way.
Opera
Opera auditions take place over two stages. For the first stage, please submit an audition recording Please prepare three arias. If you are successfully recalled to the second stage you will take part in a group acting workshop, followed by an interview and audition.
- Following your audition
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All decisions will be posted on UCAS Conservatoires following your audition via UCAS Conservatoires Track, (you will need your username and password). You will also receive notification from UCAS Conservatoires when decisions on all your choices are available.
UCAS Conservatoires Codes
Guaranteed Unconditional (GU) RCS is satisfied from the information you have given, that you have already met the conditions for entry. Unless your application and/or qualification are subsequently shown to be fraudulent, a guaranteed unconditional offer is binding.
Guaranteed Conditional (GC) RCS has made the offer subject to you meeting certain conditions such as examination results. Conditions can be viewed via UCAS Conservatoires Track. Unless your application and/or qualifications are subsequently shown to be fraudulent, the offer is binding if you accept the offer and meet the conditions. You must meet the conditions of the offer by 31 August 2021, unless an earlier date is specified. If your conditions include obtaining IELTS (English Language test), you must meet this condition by 31 May 2021.
Reserve Unconditional (VU) RCS is satisfied from the information you have given, that you have already met the conditions for entry and you have been offered a place on our reserve pool.
Reserve Conditional (VC) RCS has offered a place on its reserve pool subject to you meeting certain conditions such as examination results. Conditions can be viewed via UCAS Conservatoires Track.
Unsuccessful (R) RCS does not wish to offer you any type of a place.
- Replying to offers
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As soon as a decision is made, UCAS Conservatoires will let you know. You must reply online via UCAS Conservatoires Track. Your reply date is displayed on Track. If you do not reply by the date given, your offers will be declined automatically. The reply date may be different to other applicants as it is based on when you receive your last decision.
Last decision by Your reply date is 3 January 2022 1 February 2022 15 March 2022 12 April 2022 15 May 2022 1 June 2022 12 July 2022 29 July 2022 2 August 2022 8 September 2022 Please see the UCAS Conservatoires website for more information on replying to offers. If you make an application through UCAS Conservatoires, UCAS or UCAS Teacher Training, you cannot hold more than one confirmed place. A confirmed place in UCAS Conservatoires is a guaranteed unconditional offer as your first choice (GU1) and in UCAS and UCAS Teacher Training it is an unconditional firm (UF) place. If you receive more than one confirmed place, UCAS will ask you to accept one offer and withdraw from any others.
- Policy
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We have a number of policies and statements which you should read when applying to study at the Royal Conservatoire.
Please select the links below to read each policy.