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Christina Guillaumier


PTHP Lecturer, Creative and Contextual Studies


Christina Guillaumier joined the Department of Creative and Contextual Studies at RSAMD in 2006. Prior to this post, she taught at McGill University, Canada. She also lectures at Glasgow University. In January 2011, she was Visiting Research Fellow at Princeton University. Following a Bachelor degree in Humanities, Christina obtained her MMus from the University of London and an MSc in Russian and East European Studies from the University of Oxford where her work on the Russian composer Sergei Prokofiev earned her a distinction. Her PhD (University of St Andrews) examined Prokofiev’s early music, providing a genealogy of his musical ideas and tracing his musical thoughts to their original sources in his childhood works.
 
Christina holds several diplomas in piano performance and is active as a chamber pianist, accompanist and organist.
 
She has been awarded numerous awards including the Arts and Humanities Research Council (AHRC) Doctoral Award; AHRC Overseas Study Award; AHRC Student Led Initiative Award; Rotary Ambassadorial Scholarship; Russian Federation Scholarship, Pushkin Institute, Moscow; RSAMD Athenaeum Research Award. Her research interests include Russian and Slavic music, opera, modernism, contemporary opera.
 
Christina delivered a lecture at Princeton University, '“Creative Processes in Prokofiev’s Eugene Onegin”, on 10th February.
 
 
Public talks on Prokofiev's Betrothal in a Monastery :
 
10 December 2011 - Scottish Opera, Glasgow
 
8 January 2012 - Smith Art Gallery and Museum, Stirling
 
14 January 2012 - Founders Room, Edinburgh Gestival Theatre
 
21 January 2012 - "Between Tradition and Innovation: The Genius of Sergei Prokofiev", Royal Conservatoire of Scotland Specialist Study Day
 
31 March 2012 - Puccini's 'Tosca', Scottish Opera, Elmbank Crescent, Glasgow, 10:30am
 
26 May 2012 - 'Between Tradition and Innovation: The Genius of Sergei Prokofiev' Royal Conservatoire of Scotland Specialist Study Day
 
 
Work in progress
  
Monograph: The operas of Sergei Prokofiev (Boydell and Brewer: under contract)
  
 
Published research
  
‘War and Peace and Prokofiev’s late operatic aesthetic’ Three Oranges: the Journal of the Serge Prokofiev Foundation 21, May 2011, 20-25.
  
‘Ambiguous Modernism: the early orchestral works of Sergei Prokofiev’, Tempo Vol.65 No. 256, April 2011, 25-37.
  
‘The Giant and other creatures: Prokofiev’s childhood compositions’, Three Oranges: the Journal of the Serge Prokofiev Foundation 20, November 2010, 29-35.
  
‘Prokofiev, opera and theatre: a case study of The Gambler’, Musicorum No.8, Tours: Université François Rabelais, 2010, 67-101.
  
Review, ‘Prokofiev’s piano sonatas’ by Boris Berman, Music and Letters Volume 90, No. 4, November 2009, 717-719.
  
 
Selected Conference Papers
  
“Prokofiev and the Russian style: an evaluation of the early operas”, Non-nationalist Russian opera: International Symposium, University of Leeds, 17 November 2010.
  
“Prokofiev and the piano: the early years”, Music Research Seminars, University of Leeds, 18 November 2010.
 
“Operatic style in Sergei Prokofiev’s ‘War and Peace’”, Opera Yesterday, Today and Tomorrow, Rostov State Rachmaninov Academy, Rostov, 11 March 2010.
 
“Vintage Prokofiev: distinctive features of operatic style in ‘War and Peace’”, Sergei Prokofiev and War and Peace, RSAMD, Glasgow, 21 January 2010.
  
“Sergei Prokofiev, Reluctant Modernist”, REEM Annual Conference, Oxford University, 17 October 2009.
 
“Prokofiev’s operatic adaptation of Dostoyevsky’s ‘The Gambler’”, RMA Annual Conference, Royal Irish Academy of Music, Dublin, 9 – 12 July 2009.
 
“Childhood revisited: Prokofiev’s ‘Giant’ and other animals”, Royal Musical Association Study Day, Goldsmiths, University of London, 10 May 2008.
  
“Opera or theatre? The problematic status of Prokofiev’s The Gambler”, International Conference on ‘Song, Stage and Screen: Interdisciplinary Approaches to the Musical Stage’, University of Portsmouth, 28-30 April 2006.
  
 
Other output
 
BBC Radio 3: Music Matters, Prokofiev's The Gambler, presenter Petroc Trelawny, 6 February 2010.
  

Email: c.guillaumier@rcs.ac.uk



Royal Conservatoire of Scotland

Formerly known as the Royal Scottish Academy of Music and Drama

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