Piano Accompaniment is a varied and challenging postgraduate programme, led by lecturer and piano accompanist, Scott Mitchell, alongside a team of highly experienced professional accompanists and chamber musicians. You will engage in a wide range of collaborative opportunities to prepare you for this demanding profession working with students and lecturers from all departments at RCS.

Developing core accompaniment skills form the foundation of the programme. In addition to the extensive development of standard accompaniment repertoire, additional supporting skills are also cultivated in weekly group classes including; sight-reading, orchestral reductions, transposition, figured bass, choral accompaniment, vocal and instrumental coaching and languages.

MMus Accompanists also enjoy extensive performing opportunities, whether in concerts, competitions or accompanying students. The programme provides a wide range of choice for assessment, including studio recordings, commissions of new collaborative works, independent projects and full-length recitals.

Students who have graduated in this course have gone on to have professional careers as accompanists and work for a wide range of institutions and organisations throughout the world. Graduates also work in the fields of music education, arts management and administration, and music in the community, where an MMus degree is highly valued.

 

Developing core accompaniment skills forms the foundation of the programme.

In addition to the extensive development of standard accompaniment repertoire, additional supporting skills are also cultivated in weekly group classes including; sight-reading, orchestral reductions, transposition, figured bass, choral accompaniment, vocal and instrumental coaching and languages.

As an accompanist, you will have many performing opportunities, whether in concerts, competitions or accompanying students. The programme provides a wide range of choice for assessment, including studio recordings, commissions of new collaborative works, independent projects and full length recitals.

MMus/MA Programme Structure

The MMus/MA programme is divided into Stage 1 and Stage 2. Stage 1 is common to both degrees, and may also lead to the exit award of PGDip. In Stage 2, MMus and MA students follow different pathways leading to their respective degrees.

Stage 1: PGDip

Principal Study 1 – 80 SCQF credits

Supporting Studies 1 – 30, 20 or 10 SCQF credits

Approaches to Critical Artistry – 10 SCQF credits

Electives – 0, 10 or 20 SCQF credits

Stage 2: MMus

Principal Study 2 – 90 SCQF credits

Supporting Studies 2 – 30, 20 or 10 SCQF credits

Electives – 0, 10 or 20 SCQF credits

Stage 2: MA

Negotiated Study (or HIPP dissertation) – 60 SCQF credits

Principal study

The primary focus of the student learning experience throughout the programme will be the Principal Study. This core activity – and in particular, the individual lesson – will refine the skills essential to meeting the artistic and technical expectations of the programme. It will equip the student with many of the skills needed to exercise independent learning and develop the autonomy necessary for a professional career. In the case of the degrees in Performance, Performance and Pedagogy, and Historically Informed Performance Practice, the Principal Study will be the student’s instrumental or vocal discipline; for the degrees in Opera, Conducting, Repetiteurship, Piano for Dance, and Accompaniment, it refers to the full range of skills associated with those roles, including high-level performance skills for the MMus Composition, Principal Study is the practice of composition, within which the student may specialise in acoustic or electroacoustic composition. For the MMus Chamber Music, the Principal Study will comprise the ensemble work of the group. Within the credit assigned for Principal Study, the contact hours are flexibly assigned to suit the particular needs of the individual student.

Supporting Studies

 Supporting Studies incorporates many of the distinctive features of conservatoire study, and contributes towards the creation of a near-professional learning environment. In this module, you will have the opportunity to take part in a range of negotiated activities in support both of your Principal Study and your development as an emerging professional. The emphasis is on working with your peers, whether through the presentation of performance classes or collaborative activities such as chamber music, orchestra or ensemble work. The module also incorporates a series of cohort-wide graduate seminars, addressing such areas as research skills, critical thinking, professional development, reflective practice, health and wellbeing, and equality and diversity.

Approaches to critical artistry

 The philosophy of ‘critical artistry’ underpins all taught postgraduate programmes at RCS. This module will challenge you to critically interrogate an aspect of your arts practice by means of an individually-negotiated portfolio of research, reflection and/or documentation. The delivery is shared across all Masters programmes from both Schools.

Electives

Electives give space within the curriculum for students to engage in studies which enhance their professional versatility, by pursuing areas of interest either close to or far away from their core discipline. The range of modules available is very wide, including electives drawn from the undergraduate programmes in both the School of Music and the School of Drama, Dance, Production and Film. The design of the programme puts no restrictions on the level of the elective/s chosen. There is a significant range of choice available in the amount of credit taken in this way, with students free to choose pathways which place greater weight on Supporting Studies.

MMus or MA?

 The MA and MMus programmes share many similarities, with the first three terms of the programme being common to both. The chief differences are in the length and volume of study, and in the pattern of delivery in relation to the four terms that make up the academic calendar. There are also some differences in the programme aims and learning outcomes, and in the proportional number of hours available for principal study lessons.

The MA degree is designed for students who wish to achieve a Masters level qualification in one year, with 180 SCQF credits at level 11 (90 ECTS credits). The programme runs full-time for four terms, 43 weeks in total, with the fourth term being dedicated to a largely independent project. 30 weeks of 90 minutes principal study lessons are offered, to a total of 45 hours. (15 minutes a week extra may beallocated to a related study, where appropriate).

The MMus degree is intended for students who are seeking an extended and thorough professional grounding at Masters level in their chosen area of specialism. This is a two-year, full-time programme, leading to 240 SCQF credits at level 11 (120 ECTS credits).

The majority of the teaching and learning takes place in terms one, two and three of both years, with a break in term of the first year, to a total of 81 hours across the two years. (15 minutes a week extra may in some cases be allocated to a related study instrument)

Tuition fees for academic year 2018-19

• MMus Performance (2 years) UK/EU Students – £8,313
• MMus Performance (2 years) International (non-EU) – £16,290
• MA Performance (1 year) UK/EU Students – £11,280
• MA Performance (1 year) International (non-EU) – £19,581

Scottish/EU students

New Scottish and EU domiciled students may be eligible for a Postgraduate Tuition Fee Loan. All eligible students will be able to apply directly to Student Awards Agency for Scotland (SAAS) for a non-means tested loan of up to £3,400. See the SAAS website for further details of the PSAS scheme.

Scottish domiciled postgraduate students on eligible courses can also apply for a Postgraduate Living Cost Loan up to £4,500 towards living expenses. This is in addition to the existing loan available towards the cost of their tuition fees.

Scholarships

Any potential student who auditions for a place at the Royal Conservatoire will automatically be considered for a scholarship. They are awarded on a combination of talent, potential and financial need. More information about Scholarships is available here

Sources of external funding

For more information about alternative funding sources, including external scholarships and bursaries, please visit here.

The Conservatoire’s International and Student Experience team are available to advise and assist applicants and current students in respect of queries about funding your studies at the Conservatoire. Please email or telephone +44 (0)141 270 8281/ +44 (0)141 270 8223 for further information.

Our admissions processes are designed to be fair, transparent and efficient. The audition/interview approach serves the dual nature of allowing the panel to assess first-hand an applicant’s suitability for their chosen programme and it also affords the applicant the opportunity to gain a deeper insight into the nature of that programme and the opportunities offered by the RCS.

In arriving at its recommendation, the audition/interview panel will take account of all aspects of the applicant’s profile i.e.:

• Performance at audition/interview
• Commitment to the particular programme
• Potential to benefit from the programme
• Academic qualifications
• Personal statement
• Performance qualifications
• Performance/practical experience
• References
• Contextualised data

Academic Entry Requirements

Candidates for both the MMus and MA are normally expected to hold a good honours (at least 2:2) degree, or its overseas equivalent, in a subject area relevant to the demands of the programme.

In addition to the general entry requirements, candidates will preferably already have public performance experience of working with singers and instrumentalists. Knowledge of a specialist area of relevant repertoire (e.g. vocal, string, wind) is also desirable.

Language of Study

The language of study is English. Applicants who first language is not English will be required to provide evidence of proficiency in English. We accept the International English Language Testing System (IELTS). Level 6.0 (with a minimum score of 5.5 in each component) is required of applicants to the School of Music.

Direct Entry

Applications for direct entry beyond Year 1 will be considered on a case-by-case basis and in accordance with the Royal Conservatoire’s Recognition of Prior (Experiential) Learning policy. If you wish to apply for direct entry, please mark the point of entry on UCAS Conservatoires application as 2.

Non-standard Entry

We welcome applications from individuals whose academic qualifications or English language qualifications do not match (in terms of equivalence) or fall short of the normal entrance requirements, where specified*. Having satisfied the Audition Panel that they meet the selection criteria and demonstrated that they have the capacity to pursue the proposed course of study, such applicants will be considered through examination of contextualised data provided in accordance with the Non-Standard Entry Policy. The appropriate Head of Department/ Programme will make a case in support of the applicant for consideration by the Directors of the Schools and Convener of the Quality and Standards Committee.

*Note that UK Visa and Immigration (UKVI) imposes minimum English Language qualifications in respect of international (non-EU) applicants who require a Tier 4 Visa to study in the UK.

Mature Students

RCS welcomes applications from mature students, i.e. students over the age of 21 at entry to the programme. Whilst the selection procedures will still be applied, consideration will be given to appropriate artistic experience not normally expected in school leavers, which is deemed to compensate for any lack of traditional entrance qualifications. Successful mature applicants, as for all other applicants, must convince auditioning panels that they have the ability and potential to cope with the demands of the programme. Their progress, especially in the early stages of the programme, will be closely monitored and appropriate advice and support given.

Before your audition, you will have 15 minutes (or more dependent on your Principal Study) to warm-up on your instrument. RCS is not able to offer additional practice facilities before the allocated warm-up time, because the building is in full use by current students or by other audition candidates.

Through audition, applicants will be required to demonstrate:

• a high degree of technical competency on the instrument or voice in the service of specific repertoire
• an ability to demonstrate a considerable degree of understanding of the repertoire performed
• an ability to perform specific repertoire convincingly
• a considerable degree of self-confidence and creativity with respect to the repertoire performed
• a degree of self-sufficiency, initiative and independence in selecting, preparing and performing a particular programme
• a developing musical personality

 

 

Accompaniment Audition

Applicants will be required to accompany a singer and a cellist.

The repertoire is as below:

Instrumental : Beethoven Cello Sonata in C Op. 102 No.1 (Andante – Allegro vivace)

Vocal : Schubert – Ganymed (Key Ab) and Debussy – Mandoline (Opening note “G” in piano part)

A rehearsal period of 30 minutes on the day of the audition will be allowed. Applicants will also be required to play at sight, to undertake a quick study test (given to them shortly before the audition).

Recordings

If you are auditioning via video recording, please read the following information before sending us
your material.

Prior to submitting a recorded audition, you must apply via UCAS Conservatoires. Recorded auditions can be easily submitted online using Acceptd. You will need to create an account before uploading the recordings you wish to be considered. Recordings will not be considered until a UCAS Conservatoires application has been submitted.

Once you have completed the UCAS Conservatoires application, you should proceed to Acceptd to submit your video recording. Please check individual requirements above for what to prepare for your audition.  Applicants who are offered a place at RCS following submission of a recording will be required to undertake a supplementary audition when they arrive to start their programme of study. This is to confirm the authenticity of their recording. This audition may affect their placing on the programme.

All decisions will be posted on UCAS Conservatoires following your audition via UCAS Conservatoires Track, (you will need your username and password). You will also receive notification from UCAS Conservatoires when decisions on all your choices are available.

Apply via UCAS conservatoires

Applications are made through UCAS Conservatoires website. The UCAS Conservatoires application system is separate from the main UCAS undergraduate application system. If you wish to apply to conservatoires and universities within UCAS, you will need to register for both services.

There is a UCAS application fee of £25 to register to use UCAS Conservatoires.

To begin a new UCAS Conservatoires application, you will need to register. You can read the UCAS Conservatoires’ advice on completing the UCAS Conservatoires application.

If you need assistance with your application, you can contact UCAS Conservatoires team by telephoning (Monday to Friday, 8.30 – 18.00). Phone 0371 468 0470 from within the UK or +44 330 3330 232 if you are calling from overseas.

Application deadline date

The closing date for all on time undergraduate applications from the UK and EU is 1 October 2018. If you submit your application after this date, we cannot guarantee that you will be invited to audition.

The closing date for international applications (non EU) is 1 December 2018. However, if you apply before 1 October 2018, your application will be considered during the initial November audition period (either in attendance at a live audition or by assessment of a recording/portfolio) and you will receive an earlier outcome to your application as well as any scholarship offer, if applicable. If you do consider to submit a late application, please contact admissions@rcs.ac.uk in the first instance to check we are accepting late applications. Late applications will be considered on a case by case basis.

We do not offer deferred entry. If you wish to commence in 2020, you must apply next year.

The Royal Conservatoire of Scotland institution code is R58.

MMus Accompaniment (2 years) – 893F

MA Accompaniment (1 year) – 831F

Application fee

There is a UCAS Conservatoires application fee of £25. In addition to the application fee, each conservatoire charges an audition fee. For RCS, the audition fee is £55 per programme applied for. Fees are not refundable. The fees are paid via the UCAS Conservatoires website and not directly to RCS and RCS does not offer any fee waivers.

Audition fee

The Royal Conservatoire of Scotland charges an audition administration fee of £55 per course.

We recognise that auditioning and interviewing for conservatoires, drama and ballet schools can be costly. The audition fee charge allows us to offer a thorough and positive experience to all applicants and we encourage you to ask the panel questions and find out more about the Royal Conservatoire of Scotland to see if it is the best place for you.

References

It is your responsibility to ask two separate referees to write references and ensure that these are sent to RCS.

The references must be written by two different people and we will not accept references from family, other relatives or close friends. You can submit your UCAS Conservatoires application form and send your references at a later date, but they must be received prior to your audition date.

UCAS Conservatoires provides reference forms for you to download and send to your referees for completion.

Entrance requirements

Our admissions processes are designed to be fair, transparent and efficient. The audition/interview approach serves the dual nature of allowing the panel to assess first-hand an applicant’s suitability for their chosen programme and it also affords the applicant the opportunity to gain a deeper insight into the nature of that programme and the opportunities offered by the RCS.

In arriving at its recommendation, the audition/interview panel will take account of all aspects of the applicant’s profile i.e.:

• Performance at audition/interview
• Commitment to the particular programme
• Potential to benefit from the programme
• Academic qualifications
• Personal statement
• Performance qualifications
• Performance/practical experience
• References
• Contextualised data

Academic Entry Requirements

Candidates for both the MMus and MA are normally expected to hold a good honours (at least 2:2) degree, or its overseas equivalent, in a subject area relevant to the demands of the programme.

In addition to the general entry requirements, candidates will preferably already have public performance experience of working with singers and instrumentalists. Knowledge of a specialist area of relevant repertoire (e.g. vocal, string, wind) is also desirable.

Language of Study

The language of study is English. Applicants who first language is not English will be required to provide evidence of proficiency in English. We accept the International English Language Testing System (IELTS). Level 6.0 (with a minimum score of 5.5 in each component) is required of applicants to the School of Music.

Direct Entry

Applications for direct entry beyond Year 1 will be considered on a case-by-case basis and in accordance with the Royal Conservatoire’s Recognition of Prior (Experiential) Learning policy. If you wish to apply for direct entry, please mark the point of entry on UCAS Conservatoires application as 2.

Non-standard Entry

We welcome applications from individuals whose academic qualifications or English language qualifications do not match (in terms of equivalence) or fall short of the normal entrance requirements, where specified*. Having satisfied the Audition Panel that they meet the selection criteria and demonstrated that they have the capacity to pursue the proposed course of study, such applicants will be considered through examination of contextualised data provided in accordance with the Non-Standard Entry Policy. The appropriate Head of Department/ Programme will make a case in support of the applicant for consideration by the Directors of the Schools and Convener of the Quality and Standards Committee.

*Note that UK Visa and Immigration (UKVI) imposes minimum English Language qualifications in respect of international (non-EU) applicants who require a Tier 4 Visa to study in the UK.

Mature Students

RCS welcomes applications from mature students, i.e. students over the age of 21 at entry to the programme. Whilst the selection procedures will still be applied, consideration will be given to appropriate artistic experience not normally expected in school leavers, which is deemed to compensate for any lack of traditional entrance qualifications. Successful mature applicants, as for all other applicants, must convince auditioning panels that they have the ability and potential to cope with the demands of the programme. Their progress, especially in the early stages of the programme, will be closely monitored and appropriate advice and support given.

Selection process

The main audition period is 5-9 November 2018. Please note that some auditions may run outwith this period. Applicants who apply on time (1 October) are invited to audition by email, approximately three weeks before their audition date.

Please note that the Conservatoire is obliged to offer one audition/interview date per application. Alternative dates will only be provided (subject to availability) in exceptional circumstances. If you are unable to make your allocated audition date, you should email us immediately stating the reason. We have a specific period allocated to auditions and all on time applications will receive a decision before Christmas. If an audition is delayed, there is a risk that places will already have been taken.

Applicants are selected first and foremost on the basis of merit and potential. However, due attention is also paid to the range of Principal Studies accepted in order to ensure the optimum experience for each student and to sustain the critical mass required for curricular activities, such as the symphony orchestra and choral activities.

Where we audition

Whilst most auditions take place at the Conservatoire, we do hold some auditions internationally. If you wish to audition at any of the locations below, please submit your application at least one month in advance of the audition date. If you apply less than a month in advance, we cannot guarantee to audition you in person, and we may ask you to submit a recording instead.

If you select ‘RCS’, your audition will be in Glasgow. We welcome recorded auditions from non UK applicants. If you wish to audition by recording, please select ‘recording’. If you require further information about auditioning in the locations below, please email hello@rcs.ac.uk.

Audition Locations

Where	When
China	November 2018
Singapore	November 2018
South Korea	December 2018
New York	January 2019

Recorded audition

If you are auditioning via video recording, please read the following information before sending us your material. Prior to submitting a recorded audition, you must apply via UCAS Conservatoires. Recorded auditions can be easily submitted online using Acceptd.

You will need to create an account, but then you can easily upload the recordings you wish to be considered. Recordings will not be considered until a UCAS Conservatoires application has been submitted. Once you have completed the UCAS Conservatoires application, you should proceed to Acceptd to submit your video recording. We will only accept recordings submitted via Acceptd and will not accept any other format, i.e. DVDs

Please prepare the following for your audition recording –

Applicants will be required to accompany a singer and a cellist.

The repertoire is as below:

Instrumental : Beethoven Cello Sonata in C Op. 102 No.1 (Andante – Allegro vivace)

Vocal : Schubert – Ganymed (Key Ab) and Debussy – Mandoline (Opening note “G” in piano part)

Audition

Before your audition, you will have 15 minutes (or more dependent on your Principal Study) to warm-up on your instrument. RCS is not able to offer additional practice facilities before the allocated warm-up time, because the building is in full use by current students or by other audition candidates.

Through audition, applicants will be required to demonstrate:

• a high degree of technical competency on the instrument or voice in the service of specific repertoire
• an ability to demonstrate a considerable degree of understanding of the repertoire performed
• an ability to perform specific repertoire convincingly
• a considerable degree of self-confidence and creativity with respect to the repertoire performed
• a degree of self-sufficiency, initiative and independence in selecting, preparing and performing a particular programme
• a developing musical personality

 

 

Accompaniment Audition

Applicants will be required to accompany a singer and a cellist.

The repertoire is as below:

Instrumental : Beethoven Cello Sonata in C Op. 102 No.1 (Andante – Allegro vivace)

Vocal : Schubert – Ganymed (Key Ab) and Debussy – Mandoline (Opening note “G” in piano part)

A rehearsal period of 30 minutes on the day of the audition will be allowed. Applicants will also be required to play at sight, to undertake a quick study test (given to them shortly before the audition).

Following your audition

All decisions will be posted on UCAS Conservatoires following your audition via UCAS Conservatoires Track,  (you will need your username and password). You will also receive notification from UCAS Conservatoires when decisions on all your choices are available.

UCAS Conservatoires Codes

Guaranteed Unconditional (GU) RCS is satisfied from the information you have given, that you have already met the conditions for entry. Unless your application and/or qualification are subsequently shown to be fraudulent, a guaranteed unconditional offer is binding.

Guaranteed Conditional (GC) RCS has made the offer subject to you meeting certain conditions such as examination results. Conditions can be viewed via UCAS Conservatoires Track. Unless your application and/or qualifications are subsequently shown to be fraudulent, the offer is binding if you accept the offer and meet the conditions. You must meet the conditions of the offer by 31 August 2019, unless an earlier date is specified. If your conditions include obtaining IELTS (English Language test), you must meet this condition by 31 May 2019.

Reserve Unconditional (VU) RCS is satisfied from the information you have given, that you have already met the conditions for entry and you have been offered a place on our reserve pool.

Reserve Conditional (VC) RCS has offered a place on its reserve pool subject to you meeting certain conditions such as examination results. Conditions can be viewed via UCAS Conservatoires Track.

Unsuccessful (R) RCS does not wish to offer you any type of a place.

Replying to offers

As soon as a decision is made, UCAS Conservatoires will let you know. You must reply online via UCAS Conservatoires Track. Your reply date is displayed on Track. If you do not reply by the date given, your offers will be declined automatically. The reply date may be different to other applicants as it is based on when you receive your last decision.

Last decision by	Your reply date is
4 January 2019	30 January 2019
16 March 2019	16 April 2019
16 July 2019	30 July 2019
6 August 2019	9 September 2019
After 6 August 2019	25 September 2019

Please see the UCAS Conservatoires website for more information on replying to offers. If you make an application through UCAS Conservatoires, UCAS or UCAS Teacher Training, you cannot hold more than one confirmed place. A confirmed place in UCAS Conservatoires is a guaranteed unconditional offer as your first choice (GU1) and in UCAS and UCAS Teacher Training it is an unconditional firm (UF) place. If you receive more than one confirmed place, UCAS will ask you to accept one offer and withdraw from any others.

Policy

We have a number of policies and statements which you should read when applying to study at the Royal Conservatoire.

Please select the links below to read each policy.

• Feedback policy
• Equality and diversity
• Applicants with disabilities
• Guidance for applicants with criminal convictions
• Admissions policy