Playing Age Range: 28-38
Equity Number: 00469538
Accents: RP*; American-Southern States, American-Standard, Australian, Cockney, Estuary English, French, German, Heightened RP, Irish-Southern, Norfolk, Northern, Polish, Russian, Scottish-Standard, South African, Welsh-Standard, West Country, Yorkshire.
Movement: Physical Theatre: Alexander Technique, Viewpoints, Laban Movement Analysis
Voice: Nadine George Voice Work; Vocal quality: warm; Vocal character: engaging.
Performance Skills: Compere, Immersive Performance, Public Speaking, Story Telling, Voice Acting, Voice Over, good ear for accents, some basic stage combat training, improvisation, Shakespeare*.
Other Skills: Artist (Fine Art); Computer Literate; Curator; Editing/Proof-Reading*; Event Host*; Film/Video Editor*; Illustrator*; Writer (HIDE/BOUND (2020); Tomorrow’s Great Pageant (2019)); Consultant (other: Penguin Random House Philip Pullman author event at Rogan’s Books, 2018); Casting consultant (uncredited, BBC To Walk Invisible, dir. Sally Wainwright, 2016). Postgraduate internship at the Office of TV historian Bettany Hughes.
Previous Training & Qualifications:
MA Acting Classical and Contemporary Text, Royal Conservatoire of Scotland (2021)
MA Contemporary Ethics, Heythrop College, University of London (2013)
BA (Hons) Philosophy, Religion and Ethics, Heythrop College, University of London (2011)
Gale, Pomona, RCS (Jaïrus Obayomi)
Kiki, HIDE/BOUND: A Reinterpretation of the Selkie Myth (Parts 1 and 2) (Digital audio-visual film), RCS On The Verge Festival (Jaïrus Obayomi)
Camilla, A Winter’s Tale or the Child Hath Found Her Mother, RCS (Marc Silberschatz)
Queen, Cymbeline, Shakespeare’s Globe Education and RCS (Nick Hutchison)
Julia, The Duchess of Malfi, Shakespeare’s Globe Education and RCS (Diana Dizor)
Olga, Three Sisters (Workshop), RCS (Jaïrus Obayomi)
Ensemble, Medea, RCS (Calum Moore)
Gender, Tomorrow’s Great Pageant, Post Workers Theatre (Dash Macdonald, Demitrios Kargotis)