Nationality: American
Visa Status: UK Work Visa application in Process
Instruments: Piano, Keyboard, Cello, Guitar, Banjo, Mandolin, Ukulele, Double and Electric Bass, Accordion, Hurdy Gurdy
Arranging: Pop, Jazz, Choral, Orchestral, and Reduction.
Technology: Proficient in Finale, MainStage, Logic Pro X and Final Cut Pro X. Experience with Sibelius.
Other Skills: Lighting and Sound Design (3 years)
Languages: English (native), French (beginner/intermediate)
Previous Qualifications:
College Undergraduate: LIU Post (2021) BS in Music Edu K-12 (Piano and Voice Concentration) (Hons)
NYU Music Directing/Conducting Intensive with Ted Sperling (2021)
Music Directing Intensive at Goodspeed Opera House (2019)
Musical Director/Keys & Guitar Conductor, Godspell, RCS/Edinburgh Fringe Festival (Alexandra Spencer-Jones)
Associate Musical Director/Piano, Sweeney Todd, RCS (Alexandra Spencer-Jones)
Musical Director/Piano Conductor, Catch Me If You Can, Studio Theatre of Long Island (Rick Grossman)
Musical Director/Piano Conductor/Arranger, Children of Eden, Studio Theatre of Long Island (Tommy Ranieri)
Musical Director/Piano Conductor/Arranger/Sound Engineer, Lizzie: The Musical (Virtual), Long Island University Theatre Company (Danny Walsh)
Musical Director/Piano Conductor, Joseph and the Amazing Technicolour Dreamcoat, Theatre Three (Jeff Sanzel)
Musical Director/Piano Conductor, Next to Normal, Lighthouse Theatre Company (Trevor O’Bryen)
Musical Director/Piano Conductor, Dogfight, Patricia Playhouse (Tyler Matos)
Other Experience:
Cello, Beauty and the Beast, December 2021
Rehearsal Pianist/Piano/Synth, Two Thousand Miles (Original Musical), January 2020
Rehearsal Pianist/Piano/Guitar/Banjo/Dance Arranger, Once More From The Top (Dance Cabaret), November 2019
Guitar, Les Misérables, July 2019
Ken Fairbrother, 2022
