Skip to main content

Katie Bonnell

MA/MFA Classical and Contemporary Text Class of 2023

Bio:

Nationality: American

Height: 5’9’’

Playing age range: 17-27

Visa status: UK work visa application in progress

Skills:

Accents: American* (standard), RP, American (Midwest), American (Southern), London, New York

Dance: Advanced Jazz Tap & Improv (The Colburn School of Performing Arts), Ballet (The Westside School of Ballet), Jazz (Edge), Modern (Debbie Allen Dance Academy), Spanish Dance

Movement: Ewan Downie and Anna Porubcansky (Company of Wolves), Josh Armstrong, François LeComte (LeCoq technique), Yasuyo Mochizuki (LeCoq), Paula Rizza (LeCoq Neutral Mask), Adi Gortler, Emily Holt, Elle Riley-Condit, Jeremy Stockwell (Clown), Dewi Matthews (Alexander), Mick Barnfather (Clown), Sharon Fogarty, Kate Mulligan

Singing: Soprano

Previous training/qualifications:

MA Acting in Classical and Contemporary Text, Royal Conservatoire of Scotland (2023)

Languages: French (intermediate)

Other: Intermediate Stage Combat, Historical Dance, Drivers’ License

Work Experience:

Kindred/Strength, The Summoning of Everyman, Royal Conservatoire of Scotland (dir. Marc Silberschatz)

Isabella, Measure for Measure, Shakespeare’s Globe/RCS (dir. Michael Brown)

Mercutio/Juliet, Romeo and Juliet, LAMDA (dir. Colin Hurley)

Alice, Vinegar Tom, New York Stage and Film/Powerhouse (dir. Brian McManamon)

Flaminius, Timon of Athens, Royal Academy of Dramatic Art (dir. Jeremy Stockwell)

Julia/Elizabeth Proctor, Two Gentlemen of Verona Play Project, Royal Academy of Dramatic Art

Constance/Helen, King John Play Project, Royal Academy of Dramatic Art

Hamlet, Hamletmachine, Columbia University/Barnard College Theatre Department (dir. Naomi Boyce)

Little Lera, The Great Eleven, Ensemble Studio Theatre

Images

The Summoning of Everyman


The Summoning of Everyman


The Summoning of Everyman