Exchange Talks programme January to March 2023

Welcome to our 2022-23 season of Exchange Talks! The Exchange Talks are our weekly series of public events at RCS in which members of our staff, students, and invited speakers from academia and the professions share their research insights on art and broader issues that affect everyone in society. Exchange Talks are free and open to anyone who has an interest in the performing arts and wants to hear new ideas.

This year we are hosting a mix of in-person and online Exchange Talks. The theme is of inclusivity, and a celebration of the arts to enrich and transform lives, and the series touches every discipline at RCS: music, drama, dance, production, film, education, and research.

  • For in-person talks, please contact the RCS Box Office for tickets at https://www.rcs.ac.uk/box-office/
  • For online talks, please see the weblinks below to register for each talk.

Please note, the programme is subject to change. You can also watch Exchange Talks on RCS at Home. RCS Staff and Students can access a complete archive of Exchange Talks on the Portal Page.

Upcoming talks:

Monday 20 February 2023, 6:00-7:00pm. In-person talk, Fyfe Lecture Theatre

Instruments of Change. Sandy Coffin.

Drawing on her research and her own period performance experiences, Sandy Coffin will discuss the timbral possibilities presented in chamber music composed for chromatic brass from 1848-1868. Using original works by Jean-François Bellon and Auguste Mimart and the arrangements by Julian Tollot of Haydn string quartets for five brass, she examines how those qualities shifted as the instruments developed, the impacts of those changes on brass performance and education in France and Britain, and how in turn the opportunity to work with original instruments can benefit music learning today.

Exchange Talk: Instruments Of Change 20 February-20 February 337605 – Box Office (rcs.ac.uk)

 

Monday 27 February 2023, 6:00-7:00pm. In-person talk, Fyfe Lecture Theatre

Lost Art of Hollywood. Gary Fry.

Gary Fry, lecturer in Scenic Art at the Royal Conservatoire of Scotland, will introduce the work of Scottish artist George Gibson (1904-2001). Gibson is a name unfamiliar to most, despite his work being widely seen in iconic films including The Wizard of Oz (1939), An American in Paris (1951) and Brigadoon (1954).

Gibson was unsung and unknown throughout his long career due to the secrecy surrounding his craft – the studios kept this from audiences to further enhance the spectacle seen on screen. Travelling to the US from Glasgow, as many did between the wars, Gibson found himself in California, via New York, in 1930. Gibson is widely regarded as the best in the business and trained many others who went on to set up their own painting studios.

We are very fortunate at the RCS to have been donated six backdrops from the Gibson era at MGM. These are used as teaching tools for scenic art students studying at the RCS. They are also used to educate the wider public on this remarkable Scot whose life’s work has been seen hiding in plain sight in some of the most cherished films ever made.

Exchange Talk: Lost Art Of Hollywood 27 February-27 February 337406 – Box Office (rcs.ac.uk)

 

Monday 06 March 2023, 6:00-7:00pm. Online talk.

RCS Postgraduate Learning and Teaching in the Arts student and graduate showcase.

This Exchange Talk features students and recent graduates from the MEd Postgraduate Learning and Teaching in the Arts programmes at the Royal Conservatoire of Scotland. The speakers are arts educators working across multiple arts disciplines and education settings.

Register in advance for this webinar:

https://rcs-ac-uk.zoom.us/webinar/register/WN_fKeCZWwxQnqZOoX5OoqnEQ

 

Monday 13 March 2023, 6:00-7:00pm. Online talk.

ACADEMIX: A shared European industry in the making? Colleen Cameron

ACADEMIX is an EU funded project between five European Conservatoires, in which Heads of Studies discuss how their curriculum could better equip acting students to seek and create work in Europe.

What is the theatrical landscape in each country, the challenges artists face in their respective industries, and what would it mean to build towards a common industry of theatre?

In ACADEMIX: A shared European industry in the making?, Colleen Cameron will share the core discussion points and outcomes of the first phase of the ACADEMIX project, whilst reflecting on how, if it is indeed possible, we might dare to create the foundations of a Young National Theatre of Europe.

Register in advance for this webinar:

https://rcs-ac-uk.zoom.us/webinar/register/WN_SGDus1JQSU-JT_vLZvyyQA

 

Monday 20 March 2023, 6:00-7:00pm. In-person talk, Fyfe Lecture Theatre.

RCS Doctoral student showcase.

This Exchange Talk features students from the RCS PhD and DPerf programmes giving short presentations about their research.

Exchange Talk: RCS Doctoral Student Showcase 20 March-20 March 338605 – Box Office

 

Postponed until later in 2023:

A Working Class Hero is Something to be… Stanley Baker and British Cinema’s Class Ceiling. Dr Andy Dougan

British movie stars from the Thirties and beyond are very representative of the middle and upper classes. Even in the films of the British New Wave, actors such as Albert Finney, Alan Bates, and Richard Harris may have played working class characters but they were themselves resolutely middle class. So where were the authentic working class movie stars?

In this research, Andy argues the case for the man he considers to be Britain’s first working class hero – Stanley Baker. Baker captured a new style of masculinity and touched a chord with audiences who were struggling to deal with modern times in post-War Britain.

This research will argue for a reconsideration of Baker as more than just a tough guy but as a man who wore the politics of his class on his sleeve.

Previous talks:

Monday 3 October 2022, 6:00-7:00pm. In-person talk, Fyfe Lecture Theatre.

Supporting Fair Access Learners: a dialogue about Fair Access approaches, impact, and achievement. Dr Lio Moscardini, Dr Graeme Smillie, Dr Ben Redman

The authors of three recent reports into supporting Transitions and Fair Access students will discuss their findings.

Dr Lio Moscardini: The Sounding Out Project

This report tells the story of Sounding Out, an arts project which ran for 10 weeks from January until April 2022 and involved a group of seven care-experienced young people attending schools in Aberdeenshire.

Dr Graeme Smillie: Tracking Retention and Achievement: Journeys of the Royal Conservatoire of Scotland’s Transitions Students through Undergraduate Study

This report explores Scottish Index of Multiple Deprivation (SIMD) 20/40 student transitions from the pre-tertiary conservatoire into undergraduate study.

Dr Ben Redman: The impact of digital learning on Fair Access students at the Royal Conservatoire of Scotland

This report explores the impact digital learning has had on Fair Access students at RCS since the COVID-19 pandemic.

Monday 10 October 2022, 6:00-7:00pm. In-person talk, Fyfe Lecture Theatre.

Conception, composition and creation of a new piano concerto:

a performer-composer collaboration. Marianna Abrahamyan – piano, Katrin Klose – composition

Marianna and Katrin present their new collaborative partnership as a performer/composer team through a residency jointly funded by RCS and Marchmont House in October 2021. They joined forces and brought together their research projects culminating in a new work for solo piano and ensemble. It was premiered by Marianna and the Red Note Ensemble as part of the RCS PLUG Festival in April 2022. In this Exchange Talk, Marianna and Katrin give insights into the creation of a work that integrates the aesthetics, technical abilities and practice of the performer into the music, while giving the performer a deeper understanding of the composer’s thoughts and working processes.

Monday 17 October 2022, 6:00-7:00pm. In-person talk, Fyfe Lecture Theatre.

Woman-Made – The Future Ballet Choreographers are Here! Deborah Norris

Research project in partnership with the Royal Conservatoire of Scotland, Rambert School of Ballet and Contemporary Dance, and DANSOX/St Hilda’s College – Oxford University

In July 2022 a group of women dance students gathered at St Hilda’s College, Oxford to re-visit the seemingly unanswered question: Where are all the women choreographers? A five-day residential offered six dance students from two of the UK’s leading conservatoires a series of workshops with prominent women choreographers, and space and time to explore new choreographic ideas. This Exchange talk led by Deborah Norris, in collaboration with the students involved, will offer an insight into the research project and pose some of the potential changes that could initiate a shift in the culture to find a greater gender balance of ballet choreographers making work on the world’s main stages in the future.

Monday 24 October 2022, 6:00-7:00pm. Online talk.

Sonic Migrations: resonances that hold us as we walk through telematic rituals. Dr Ximena Alarcón

In this talk, Ximena reflects on her search for interfaces to listen to sonic migrations: the resonances left in-between our known divisions when we tune in and meet others across distant locations. Derived from her experience of her own geographical and cultural migration and Deep Listening® practice, she will describe the evolution of her artistic process of creating telematic sonic performances, and also engaging in the creation of interfaces for relational listening that holds us collectively in-between sound fragments, memories and diversity of perceptions across time and space.

Ximena will focus on her latest experience with the creation of the INTIMAL App©, which she is developing as an embodied interface that holds a vibrational interstitial space as we tune in with the surrounding environment, our walking and breathing pace, for the emergence of vocal improvisations shared with others across distant locations. Devoid of geo-locations and playing with different levels of immediacy, directions, and time, the INTIMAL App© invites users to perform dream-like rituals, for the emergence of networks of presence.

Monday 31 October 2022, 6:00-7:00pm. Online talk.

Is diversifying repertoire enough? Professor Nathan Holder

With the recent emphasis on diversity and equality in the music industry, repertoire is one of the most talked about ways to ‘achieve’ this. However, many barriers to access this ‘new’ repertoire exist which prevent teachers and students from discovering and performing music. While performing works by historically marginalised groups in the Global North is important, questions must be asked as to how these works are treated and added to the existing canon of Western Classical music. What does true equality mean in relation to repertoire, and is simply diversifying repertoire enough in 2022?

Monday 14 November 2022, 6:00-7:00pm. Online talk.

Dance in the Primary School in Scotland. Eilidh Slattery

In this Exchange Talk, Eilidh will be discussing her recent research project which was funded by an RCS Athenaeum Award. ‘Dance in the Primary School in Scotland’ provides an up-to-date picture of what is happening with Dance in Scottish primary schools and why. The survey was open to all primary teachers teaching in Scotland and data was also gathered from the Scottish Universities who provide Primary Initial Teacher Education programmes.

In Scotland, Dance is part of the curriculum for primary schools. 85% of teachers stated they felt dance was an important part of the curriculum, but many felt they lacked the key skills and confidence to deliver the subject. Join Eilidh as she discusses the findings and recommendations from this project and considers where we go from here.

Monday 21 November 2022, 6:00-7:00pm. Online talk.

“Emancip’ARTE”: an audiovisual investigation into the emancipatory potential of art for women in Peru. Serjara Aleman

This talk focusses on the screening and discussion of the film “Emancip’ARTE”, an audiovisual exploration of the emancipatory potential of art for women in Lima’s shantytowns. Oscillating between the global ‘culture for change’ development paradigm and the immediate need to create spaces for female art and community making, a group of Peruvian cultural workers have initiated an annual urban art festival. Serjara accompanied the women on their journey of intervening in different neighbourhoods and engaging with local community art groups. Through the creation of alliances and non-capitalised labour relations they collaboratively build community. Finally, the women’s cultural work effectively materialise utopian imaginaries used to enact the right to make art for all.

Monday 16 January 2023, 6:00-7:00pm. In-person talk, Ledger Recital Room.

Positionality and self-advocacy: reflections on Lena Horne and directions in musical theatre scholarship. Dr Hannah Robbins

Lena Horne remains one of the most famous African American stars to feature in stage and screen musicals. However, her contribution and the reception to her career have always been viewed in conversation with ethnic ambiguity and distance from other Black artists. In this paper, Dr Hannah Robbins questions how our understanding of Horne’s career and identity have been constructed through racist biases and consider how she navigated her experiences of racism by maintaining her own voice and community.

Monday 23 January 2023, 6:00-7:00pm. Online talk.

‘Opening Doors’: Making the Most of Creative Opportunities. Isaac Savage and Jonathan O’Neill

As emerging theatre-makers and performers who graduated during the pandemic, Jonathan O’Neill and Isaac Savage have tried to make the most out of every opportunity possible, and to create new opportunities of their own in order to kickstart their creative careers.

This Exchange Talk is named after Stephen Sondheim’s only autobiographical song, ‘Opening Doors’ from Merrily We Roll Along, in which the protagonists (also musical theatre writers) are taking their first steps into the creative industry and knocking on producers’ doors trying to get their first hit.

Applying for new opportunities can be daunting and missing an opportunity can be frustrating. And of course, the rejection, though inevitable, is disappointing. No one likes a door slammed in their face!  This has been the same story for Jon and Isaac, but occasionally they have been lucky enough to get their collective foot in the door and have received funding, platforms, and support for various projects.

Jon and Isaac will share their experiences of these application processes and how they try to use every opportunity to better their work and creative development. This talk will mainly centre around musical theatre creative opportunities (although it will be applicable to other mediums) and focus on their experience in winning the RCS Bruce Millar Graduate Fellowship in 2021, which enabled them to develop their new musical, Stay.

Monday 30 January 2023, 6:00-7:00pm. Online talk.

Reconstructing Fragmentary Renaissance Polyphony: Jacob Obrecht’s Missa Scaramella. Dr Fabrice Fitch.

The fragmentary Missa Scaramella by Jacob Obrecht (c.1457/8–1505) survives uniquely in two of an original set of four part-books. Reconstructing the material of the two missing part-books (the top voice and the tenor) poses very different problems. In this presentation, Dr Fabrice Fitch will explore these challenges and presents some proposed solutions (part of a reconstruction of the entire mass cycles). One of the outcomes of the work is the rediscovery of the original notation for two enigmatic canons in the Credo, which it has been possible to identify and reconstruct.

 

If you are interested in sharing your work in an Exchange Talk Livestream please email Ben Redman, Research Development Officer.