
MMus/MA Performance & Musicology
Our brand-new MMus/MA Performance and Musicology allows you to undertake scholarly research in music alongside postgraduate study in performance.
Page Navigation
Overview
The MMus/MA in Performance and Musicology is intended for highly skilled instrumentalists and singers who wish to pursue academic research into music and musical practices alongside advanced study in performance.
Individual lessons in the principal study are at the heart of the degree, supported by a wide range of performance based activities within the the rich musical environment of the Conservatoire.
The Musicology module will introduce you to the study of music as a scholarly endeavour, with a particular emphasis on historiography, aesthetics and criticism, and editorial techniques.
The programme culminates in a number of assessed public performances, alongside a written dissertation on a self-chosen issue, source or repertory related to your principal study.
The important details
UK Applicant Deadline:
2 October 2025
International (including EU) Applicant Deadline:
1 December 2025
Institution Code:
R58
Programme Code:
MMus - 813F OR MA - 814F
Audition Fee:
£65.00
Application Fee:
£28.95
Please note
This course is subject to revalidation
Why Study Performance & Musicology at RCS?

World-class Teaching
You’ll experience the highest-quality individual tuition from expert teachers who are active professionals in their field. Our small class sizes offer you maximal access to practice facilities and ensembles.

Collaboration & Performance
You’ll study in one of the most multi-disciplinary conservatoires in the world, with opportunities to collaborate with performing artists from across RCS.

Research Culture
You’ll be part of a thriving scholarly community, alongside staff and doctoral students delivering new insights and innovation in music, stage, screen, production and education.
Meet the Staff
Programme Structure
Principal Study 1 – 60 credits
- Individual lessons
- 2-3 negotiated performance assessments
Graduate Studies 1 – 30/20/10 credits
- Negotiated departmental activities, such as performance classes, coaching, languages and masterclasses
Musicology – 20 credits
- Lectures and seminars
- Essay
Practice Research – 10 credits
- Research project
Options – 0/10/20 credits
- Range of optional classes drawn from School of Music, School of Stage and Screen, and School of Dance
Masters Dissertation – 60 credits
- 10,000 word scholarly dissertation on a topic related to the principal study
Principal Study 2 – 60 credits
- Individual lessons
- 2-3 negotiated performance assessments
Masters Dissertation – 60 credits
- 10,000 word scholarly dissertation on a topic related to the principal study
The MMus is the standard two-year programme undertaken by most students.
The MA is a shortened version of the program for students who wish to get a Master’s degree in a single year of study.
The first three terms of the MMus and MA are identical: MA students complete a further module in term 4 to complete the degree in a single year. There is no difference in the degrees: both concentrate mainly on performance rather than academic work.
Entry Requirements
Academic Requirements
Candidates for both the MMus and the MA are normally expected to hold a good honours (at least 2:2) degree, or its overseas equivalent, in a subject area relevant to the demands of the programme.
English Language Requirements
The language of study is English. Applicants whose first language is not English will be required to provide evidence of proficiency in English. We accept the International English Language Testing System (IELTS). Level 6.0 (with a minimum score of 5.5 in each component) is required of applicants to the School of Music.
Full details of the English language tests and equivalencies we accept can be found on our English Language Requirements page.
Fees & Funding
Tuition Fees
For academic year 2025/26:
- Home: £13,308
- International: £28,401
Please note these fees are subject to change.
Funding & Scholarships
You can find out about the funding and scholarships available for studying at RCS by visiting our dedicated page:
Cost of Living & Programme Costs
In addition to tuition fees, it is estimated that you will need between £11,200 and £15,300 per year to live in Glasgow, plus programme costs. Much will depend on your lifestyle and whether your course runs for three or four terms.
Programmes within the School of Music have a range of associated costs related to the specific activities required and advised by the programme team. You can find an indication of these costs below:
How to Apply
Apply via UCAS Conservatoires
Applications are made through UCAS Conservatoires website. The UCAS Conservatoires application system is separate from the main UCAS undergraduate application system. You can read our guidance about using UCAS Conservatoires on our dedicated How to Apply page.
Applicants will also be required to create an Acceptd account when they apply, which will be used for scheduling auditions.
We do not offer deferred entry. If you wish to commence in 2027, you must apply next year.
The Royal Conservatoire of Scotland institution code is R58. You will also require the following programmes codes to apply: MMus Performance and Musicology – 813F OR MA Performance and Musicology – 814F
The closing date for UK applications is 2 October 2025, and for International applications is 1 December 2025. If you submit your application after this date, we cannot guarantee that your application will be reviewed by the audition panel. If you do want to submit a late application, you must contact admissions@rcs.ac.uk in the first instance to check we are accepting late applications
Application/Audition fees
There is a UCAS Conservatoires application fee of £28.95. In addition to the application fee, each conservatoire charges an audition assessment administration fee. The Royal Conservatoire of Scotland charges an audition assessment administration fee of £65 for this programme.
We recognise that auditioning and interviewing for conservatoires, drama and ballet schools can be costly. The audition assessment administration fee charge allows us to offer a thorough and positive experience to all applicants and we encourage you to get in touch to ask the panel questions and find out more about the Royal Conservatoire of Scotland to see if it is the best place for you.
Selection process
Applicants are selected first and foremost based on merit and potential. However, due attention is also paid to the range of Principal Studies accepted to ensure the optimum experience for each student and to sustain the critical mass required for curricular activities.
Please note that the Conservatoire is obliged to offer one audition date per application. If you are unable to submit your application/audition recording by the deadline date above, you must email us immediately stating the reason. If your audition recording is delayed, there is a risk that places will already have been taken and your application may not be considered.
Audition Information
In-person auditions are planned to take place at various locations across the world. Should you apply on time, an audition time slot will be sent to you via Acceptd. You must create an Acceptd account regardless of your audition location.
The RCS audition panel in Glasgow will consist of a relevant departmental staff member and the Head of Department. Our international auditions will consist of one panel member that may not be from the department you are auditioning for, and will also be recorded for review by the relevant department.
All in-person auditions will be given a twenty-minute warm up slot prior to their audition.
All applicants will need to provide their own instruments (except piano). Applicants auditioning overseas will also need to provide their own pianist where relevant.
There is no separate audition process for our Scholarship awards. You will be considered as part of the audition process.
Audition Repertoire
Audition repertoire requirements depend on which principal study you are applying for. You can find this information on the individual postgraduate department pages in the ‘How to Apply’ section:
Audition Dates
- Glasgow: 3-7 November 2025
- Qingdao, November 2025, The Yehudi Menuhin School Qingdao (specific dates to be confirmed)
- Seoul, 29 November 2025, Rene Music Hall
- Singapore, 17 & 18 January 2026, Location TBC
- Los Angeles, 24 & 25 January 2026, Location TBC
- Chicago, 27 & 28 January 2026, Location TBC
- New York, 30 & 31 January 2026, Location TBC
- Toronto, January 2026, Location TBC (specific audition dates to be confirmed)
Please note, our locations are subject to change at short notice. If you choose a location that becomes unavailable we will be in touch to offer an alternative, likely a recorded submission.
Overseas Applicants
We are operating a pre-screening process for all international applicants. Applicants wishing to audition overseas are required to submit a video audition as the first round of the assessment process (those applying to audition in-person in Glasgow are not required to submit a pre-screening video).
All videos must be submitted to your Acceptd account before the deadlines listed below. There is no set repertoire for the pre-screening round, and you are welcome to perform different repertoire should you be successfully offered a live audition.
All pre-screening submissions must contain a spoken introduction in English.
In your pre-screening recording, please tell us:
- Your name
- A bit about your musical background and training you’ve had until now
- Your musical ambitions
- Your reasons for applying to the Royal Conservatoire of Scotland
This video should be 3 to 5 minutes long and separate to your performance video.
Pre-Screening Deadlines
For in-person auditions being held in Qingdao and Seoul:
- UCAS Conservatoire applications and Acceptd submissions must be submitted by the deadline of 2 October 2025
For in-person auditions being held in Singapore, Los Angeles, New York, Chicago and Toronto:
- UCAS Conservatoire applications and Acceptd submissions must be submitted by the deadline of 1 December 2025
All keyboard applicants who will not attend the in-person auditions in the US or Canada MUST submit their application by the 2 October 2025.
If successfully offered a live in-person audition at one of our overseas locations, then applicants applying from that country will be expected to attend in person. We strongly encourage people to attend in person to be able to meet some of our staff members face to face and ask questions about our programmes, and life at the Royal Conservatoire of Scotland. Please note that some departments may have additional requirements needed at audition, please check the relevant department page for more information.
Please note for live auditions, we cannot guarantee that a member of our teaching staff for your specific discipline will be on the panel.
If you have chosen to audition live in-person, but due to extenuating circumstances your situation changes, you must contact us immediately after submitting your application so we can confirm if alternative arrangements are possible. This will be completed on a case-by-case basis.
If you are unable to attend a live audition, then we offer a recorded submission option. Recorded submissions will go through the same pre-screening process, and applicants may be invited to a live online audition at the discretion of the relevant Head of Department. You may be asked to perform additional repertoire or complete a small aural task as part of this process. If you are recalled, further details and meeting links will be sent to you.
Contact Us
If you have any questions about the audition process for your relevant location, you can contact us at the following:
- Glasgow: auditions@rcs.ac.uk
- Qingdao: chinaauditions@rcs.ac.uk
- Seoul: koreaauditions@rcs.ac.uk
- Singapore: hello@rcs.ac.uk
- LA / Chicago / NYC: usaauditions@rcs.ac.uk
- Toronto: canadaauditions@rcs.ac.uk
References
It is your responsibility to ask two separate referees to write references and ensure that these are sent to RCS.
The references must be written by two different people and we will not accept references from family, other relatives or close friends. You can submit your UCAS Conservatoires application form and send your references at a later date, but they must be received prior to your audition date.
UCAS Conservatoires provides reference forms for you to download and send to your referees for completion.
Policy
We have a number of policies and pages which you should read when applying to study at the Royal Conservatoire:
Why RCS?
We are the only place in Europe where you can study all of the performing arts on the one campus. There is a distinctive creative energy at RCS and you’ll be made to feel part of our inclusive and diverse environment from the very beginning of your studies.
Our graduates are resourceful, highly employable and members of a dynamic community of artists who make a significant impact across the globe.
At RCS, students develop not just their art but their power to use it.

World Top Ten
We were voted one of the world’s Top Ten destinations to study the performing arts (QS Rankings) in 2025, the ninth time we have been placed in the top ten since the ranking was established in 2016.

Perform & Collaborate
Our curriculum is built around performance and collaboration and we hold professional partnerships with all of Scotland’s National Companies. Join forces across artforms and be part of the 500+ performances we give each year.

Outstanding Alumni
Our graduates are employed across the world and we take pride in the impact they have on their art forms. We’ll equip you with the skills to thrive as a professional and join their ranks.

Learn from the Best
More than 1,000 lecturers, tutors, artists, technicians, co-ordinators and support staff work at RCS across all our art forms. Study with some of the finest educators and performing and production artists in the UK.

A Campus Built for You
Our facilities are world-class. From rehearsal rooms and recording studios to our five professional performance venues, we have a campus to showcase and develop emerging artists to the highest standards.