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A group of actors are performing on stage in a production of She Loves Me.

BA Musical Theatre

Become a multi-disciplinary artist with creative authenticity and flair in acting, singing, dance and music. 

Please note, this programme is subject to revalidation.

Overview

BA Musical Theatre is a distinctive, conservatoire-level programme for talented students dedicated to developing their skills in acting, singing, dance and music. We’re looking for students who want to train with us and aspire towards a career in the competitive musical theatre industry.  

We want to work with people who are original, talented, committed and inspired by collaboration; performers of the future who will celebrate and share their skills in a wide range of professional contexts.  

Perform  

Your education here will begin with a focus on core skills and processes. Our aim is that you will graduate from this programme as a confident, versatile artist ready to work in the profession.  

You will take part in industry workshops and classes which will allow you to develop your skillset in advance of two full-scale productions and an industry showcase in your final year of study.  

Our unique programme offers a pathway for developing actor-musicianship skills, along with opportunities for students to explore their creative voices within new musical development projects.  

Succeed 

Our close relationships with many of Scotland’s national companies mean that our students will have the invaluable opportunity to network and garner visibility among casting directors, agents, creatives and leaders in the UK arts scene through many diverse opportunities. 

Workshops and productions are directed by creatives working within the industry, who often call upon RCS students for external opportunities and projects during their studies. 

Our graduates consistently gain industry representation and continue to work across the arts and entertainment sectors; in the West End, on Broadway, in national and international tours, with national companies, regional theatres, and in a variety of television and film projects. 

Many of our graduates also go on to create their own companies and produce work, creating change within the industry in positive and meaningful ways. 

The important details

UK Applicant Deadline:
14 January 2026

International (including EU) Applicant Deadline:
30 January 2026

Course Start Date:
21 September 2026

Institution Code:
R58

Programme Code:
215F

Audition Fee:
£55

Application Fee:
£28.95

Please note
This course is subject to revalidation


Why Study BA Musical Theatre at RCS?

A group of actors are reading lines for Children of Eden.

Specialism Opportunities


Benefit from intensive musical theatre training, with actor-musician specialism opportunities built into the curriculum.

Four actors performing on stage. They are holding hands and raising them into the air.

Industry Showcases & Networking


In your final year, you’ll take part in an industry showcase, demonstrating your work to employers. Our excellent industry connections will support your networking and enhance your employability.  

A lecturer is speaking to a student.

One-to-One Lessons


The excellent staff-student ratio will provide you ample opportunities to work one-on-one with instructors. You will participate in regular one-to-one singing, repertoire, instrument lessons and tutorials.

The cast of Into the Woods performing on stage.

Unique Experience


You will learn in a unique conservatoire environment alongside like-minded students from experienced staff who continue to work professionally as creatives, performers, and leaders in their fields. During your studies, you will perform in state-of-the-art facilities on campus and external venues. 

Meet the Staff

A placeholder image for Ana-Thea Panainte

Ana-Thea Panainte

Lecturer, Music

A placeholder image for Daniel Cameron

Daniel Cameron

Lecturer, Acting

Additional Staff

Singing Lecturers

  • Arlene Rolph 
  • Phillip Shades 
  • Claire Thomas 
  • Marjory Watson 

Dance Lecturers

  • Courtney Bailey Alan
  • Lisa Darnell
  • Rowan MacGregor 
  • Michelle MacIsaac

Dance Workshops & Visiting Lecturers 

  • Salma Faraji 
  • Alan Greig 
  • Himadri Madan 

Other Lecturers

  • Melanie Bell (Artist in Development & Practice)
  • Susie Dumbreck (Professional Practice)
  • Jack Webb (Movement)

 

 

Music Lecturers

  • Matthew Brown
  • Caitlin Forbes
  • Andrew Huggan 
  • David Kerr
  • Aaron Morrison
  • Shonagh Murray 
  • Andrew Nunn
  • Ana-Thea Panainte
  • Neil Shaw 
  • Graeme Smillie
  • Elizabeth Stirrat 
  • Jan Straczynski

Voice Lecturers

  • Melanie Drake
  • Rachel Nicholson
  • Bill Wright

Find out more: Centre for Voice in Performance

 

Regular Visiting Lecturers & Industry Professionals

  • Vicki Manderson (Movement Director)
  • Louise Shephard (Director)
  • Alexandra Spencer-Jones (Director)
  • Urbanix (Choreographers)
  • Sarah Wilkie (Choreographer)

 

 

Graduate Destinations

Our graduates are working in London’s West End, regional theatres, film and television productions and with major companies. Following the final year showcase, most of our students are signed by agents from the UK and overseas. 

  • National Theatre of Scotland
  • Citizens Theatre
  • Dundee Rep
  • BBC
  • BFI
  • Apollo Victoria Theatre
  • Screen Scotland
  • Vienna’s English Theatre
  • National Theatre of London
  • Redpoint Productions

Scotland (BAMT)

  • Carley Duncan (2025) – Alassie, Ayr Gaiety
  • Jorgey Scott-Learmonth (2025) – Tron Panto
  • Ava McKinnon (2024) – Restless Natives, Scottish Tour
  • Eden Barrie (2024) – Nessie; Grease, Pitlochry Festival Theatre
  • Gregor McMillan (2024) – Rollers, Pavilion; Mother Goose, Ayr Gaiety
  • Louis Newman (2023) – Nessie; Grease, Pitlochry Festival Theatre
  • Star Penders (2023) – Wild Rose, Lyceum Edinburgh; Peter Panto, Tron Theatre
  • Yana Harris (2023) – Snow Queen, Lyceum Edinburgh
  • Ross Forbes-Mackenzie (2021) – Cinderella, Ayr Gaiety

Other UK (BAMT)

  • Sheridan Townsley (2025) – Conor in Sing Street, West End
  • Nathan Muwowo (2025) – Harry Potter and the Cursed Child, West End
  • Annabelle Aquino (2023) – Cosette in Les Miserables, West End
  • Hugo Rolland (2023) – 101 Dalmations, UK Tour; Peter Pan in Peter Pan, Bristol Hippodrome Emily Kitchingham (2022) – Scouts the Musical, UK Tour
  • Michali Dantes (2023) – Jesus Christ Superstar, Hope Mill Theatre
  • Sebastian Lim-Seet (2023) – Hadestown, West End
  • Sylvie Stenson (2023) – Hamilton, UK Tour
  • Michael Ahomka-Linsday (2021) – Jack Kelly in Newsies, West End; Emeett in Legally Blonde, Regent’s Park Theatre; Cliff Bradshaw in Cabaret, West End
  • Georgie Buckland (2020) – Andy in The Devil Wears Prada, West End

International (BAMT)

  • Ebba Mard Andersson (2024) – Dear Evan Hansen, Intiman Theatre, Stockholm
  • Yna Tresvalles (2024) – Anne Boleyn in Six, International Tour
  • Fabian Soto Pacheco (2022) – Evan Hansen in Dear Evan Hansen, National Auditorium of Costa Rica

Programme Structure

This is a skills focused year as you identify areas of development within acting, music, dance and voice. 

There is a focus on self-reflection and goal-setting as you develop your practice through performance classes, workshops and tutorials. You will broaden your knowledge and understanding of musical theatre history, context and repertoire. 

This year offers a blend of skills classes and projects, as you focus more on integration of practice. You will broaden your awareness of industry practices and consider your potential as an artist within it. You will consider your potential to contribute to the continued evolution of the art form. 

The final year provides the bridge between training and the profession, offering performance opportunities in a variety of contexts. You will participate in two full-scale productions and an industry showcase, providing opportunity to work alongside student and professional production teams within a variety of venues and contexts.  

Skills classes and seminars focus on industry engagement including audition techniques, self-employed business management and professional practice activities. An introduction to self-taping and creation of digital portfolio materials will support opportunities to engage with industry professionals and stand you in good stead to work within the industry upon leaving RCS. 

Class of 2025


How to Apply

Apply via UCAS Conservatoires

Applications are made through the UCAS Conservatoires website. The UCAS Conservatoires application system is separate from the main UCAS undergraduate application system. You can read our guidance about using UCAS Conservatoires on our dedicated How to Apply page. 

Applicants will also be required to create an account and application via Acceptd to submit their round one audition recording when they apply. All round one recordings must be received by the application deadline of 14 of January 2026.

We do not offer deferred entry. If you wish to commence in 2027, you must apply next year. 

The Royal Conservatoire of Scotland institution code is R58. You will also require the following programme code to apply: 215F – Musical Theatre (BA)

The closing date for all BA Musical Theatre applications and audition recordings is 14 January 2026 for UK applicants and 30 January 2026 for International (including EU) applicants. If you submit your application or audition recordings after this date, we cannot guarantee that your application will be reviewed by the audition panel. If you do want to submit a late application, you must contact admissions@rcs.ac.uk in the first instance to check we are accepting late applications 

Application/Audition fees

There is a UCAS Conservatoires application fee of £28.95. In addition to the application fee, each conservatoire charges an audition/interview assessment administration fee. The interview assessment administration fee is £55 for this programme. Fees are not refundable. The fees are paid via the UCAS Conservatoires website and not directly to RCS. 

We recognise that auditioning and interviewing for conservatoires, drama and ballet schools can be costly. The audition assessment administration fee charge allows us to offer a thorough and positive experience to all applicants and we encourage you to get in touch to ask the panel questions and find out more about the Royal Conservatoire of Scotland to see if it is the best place for you.  

We are committed to ensuring fair access to a conservatoire education for students who have the talent and potential to benefit from it, regardless of their background. In support of this, audition fee waivers are offered to applicants whose financial hardship may be a barrier to auditioning. Please note you can only apply for a fee waiver request once you have completed and submitted your UCAS application. Please see the audition fee waiver form for more information.

References

It is your responsibility to nominate a referee as part of your UCAS Conservatoires application form. We may contact this referee after your audition if the panel feels they need more information.

We will not accept references from family, other relatives or close friends. You can read guidance about nominating your referee on the UCAS Conservatoires website.

Policy

We have a number of policies and pages which you should read when applying to study at the Royal Conservatoire:

Audition & Interview Information

For 2025/26 Entry

There will be two rounds of auditions for entry to the BA Musical Theatre programme. 

Round one will be via pre-recorded video submissions only. You will need to create an Acceptd account to upload your video submissions by the deadline of 14 January 2026.

If you are successful, you will be invited to our final recall audition. We would encourage you to attend these auditions in person (Glasgow or London), but we understand that this is not possible for everyone. Those who are unable to attend in person will have the opportunity to audition live online via Zoom. 

Round 1

You are required to upload 3 separate videos. Each should be in one full take. Please do not edit your videos. The audition videos do not need to be professionally filmed – your phone or a similar device is suitable. The following videos are needed by the deadline of 14 January 2026:

Please record 2 contrasting songs. At least one of these must be a Musical Theatre song and the songs should showcase your vocal range. Each song should be no longer than 3 minutes. Ideally, we would like these songs to be accompanied either on piano or with a backing track, but if it’s not possible for both, then one can be performed as a Capella.

Please record 1 contemporary Monologue (from the 21st Century). This should be from a published play and performed in English. The speech should be no longer than 2 minutes.

Please recreate the sequences and choreography (including warm-up and kicks) shown in this video:

https://www.youtube.com/watch?v=uK4mo6-kuRo

Please list any instrument experience you have that demonstrates musicianship in the dialogue box at the bottom of your Accept’d profile entitled ‘Additional Information’. The programme includes a fourth strand of musicianship which currently provides the opportunity for all students to play an instrument in the first year of study. You are not expected to have instrument experience as a pre-requisite of the programme but we invite you to let us know about this if you do, and to include demonstration of this within your devised piece if you’re selected for Final Recall (more information below.)

Recall Auditions

All recall auditions will be held in person in Glasgow and London. Those who are unable to travel to these locations will be invited to a live online session via Zoom.

Before the recall audition, you will be required to create a devised piece that will be presented at your audition. We would like you to prepare an original piece incorporating as many of the following areas as you wish – text, dance/movement, singing and music/instrument playing.

The second and third years of study will now offer opportunities to focus on the development of specific skillsets within certain modules/projects, and this is a chance for the panel to see where your interests lie in relation to this.

We’ll leave it up to you to decide the story, structure, style, and content – be imaginative, and show us who you are and what matters to you. This piece should last for a maximum of 2 minutes.

At your audition you will have access to a sound system should you wish to incorporate music digitally; a piano if you choose to incorporate live playing, and basic furniture such as a table and chairs.

Along with your devised piece, the recall audition will consist of a dance call and individual appointments to work your first-round audition material and interview. More information will be provided within your recall invitation.


Entry Requirements

Academic Requirements

  • Scottish Highers — 3 passes 
  • A Levels — 2 passes 
  • International Baccalaureate — minimum score of 24 with 3 subjects at Higher Level 
  • Recognised equivalences

We welcome the Scottish Baccalaureate and will accept combinations of Highers and Advanced Highers. 

We offer a flexible approach to students taking Higher over more than one academic year and/or who achieve their qualifications in more than one sitting. 

English Language Requirements

The language of study at the Royal Conservatoire of Scotland (RCS) is English. All applicants whose first language is not English will be required to provide evidence that their English language level meets the entrance requirements.

The required IELTS level for this programme is 7.5 overall with a minimum score of 5.5 in each component.

Full details of the English language tests and equivalencies we accept can be found on our English Language Requirements page.

Direct Entry 

Applications for direct entry beyond Year 1 will be considered on a case-by-case basis and per the Royal Conservatoire’s Recognition of Prior (Experiential) Learning policy. If you wish to apply for direct entry, please mark the point of entry on the UCAS Conservatoires application as 2 or 3. 


Fees & Funding

Tuition fees

For academic year 2025/26:

  • Scottish full-time: £1,820 (for most full-time, Scottish-domiciled undergraduate students, this will be paid by SAAS)
  • RUK (including ROI*) full-time: £9,535
  • International (including EU) full-time: £28,919

Please note these fees are subject to change.

Funding & Scholarships

You can find out about the funding and scholarships available for studying at RCS by visiting our dedicated page:

Funding & Scholarships

Cost of Living & Programme Costs

In addition to tuition fees, it is estimated that you will need between £11,200 and £15,300 per year to live in Glasgow, plus programme costs. Much will depend on your lifestyle and whether your course runs for three or four terms. 

Undergraduate Programmes within the School of Drama, Dance, Production and Film have a range of associated costs related to the specific activities required and advised by the programme team. To ensure fairness and parity of experience about certain core programme activities a one-off payment to cover a proportion of necessary costs is required of the student at matriculation. You can find these costs in the pdf below: 

BA Musical Theatre Programme Costs

More from the Musical Theatre Department

 

Why RCS?

We are the only place in Europe where you can study all of the performing arts on the one campus. There is a distinctive creative energy at RCS and you’ll be made to feel part of our inclusive and diverse environment from the very beginning of your studies.

Our graduates are resourceful, highly employable and members of a dynamic community of artists who make a significant impact across the globe.

At RCS, students develop not just their art but their power to use it.

Why RCS

A ballerina wearing a teal dress jumps over the Kelpies monuments in Scotland during a grey day.

World Top Ten


We were voted one of the world’s Top Ten destinations to study the performing arts (QS Rankings) in 2025, the ninth time we have been placed in the top ten since the ranking was established in 2016.