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Timpani and Percussion (Postgraduate)

This programme will prepare you for the technical challenges of professional performance, help you broaden your stylistic range and give you the opportunity to work with national professional orchestras and world-renowned, respected musicians.

Overview

The Timpani and Percussion department offers an extensive curriculum to allow students to experience and study as much related material as possible.

A carefully balanced curriculum of one-to-one lessons and repertoire classes, playing in various ensembles, and frequent visits from our distinguished roster of international clinicians produce a structure and foundation for student learning and engagement. Additionally, students gain lots of practical performing experience through a variety of opportunities: symphonic, chamber, opera, and wind and brass ensembles.

You will have one-to-one lessons on your principal study with our highly acclaimed staff, supplemented by regular three-hour orchestral repertoire classes. To further equip you for the profession, we offer specialist tuition from leading performers and educators featuring Drum Kit, Latin American and ethnic percussion, and Marimba.

We are fortunate to have Eric Sammut (Orchestre de Paris and Conservatoire de Paris) as our International Marimba Consultant. Eric visits four times each academic year, for two days at a time, allowing Marimba students lots of opportunities to learn from his expertise.

Dave Hassell, session musician and renowned clinician, also makes six visits per academic year, for two days at a time. RCS offers successful mentoring schemes with Scotland’s leading orchestras where students experience the realities of the professional environment.

You will also benefit from three large fully equipped studios for the sole use of timpani and percussion students. Additionally, you will receive regular performance opportunities in the Royal Conservatoire’s professional venues, as well as in some of Scotland’s major concert halls.

The important details

UK Applicant Deadline:
2 October 2025

International Applicant Deadline:
1 December 2025

Course Start Date:
21 September 2026

Institution Code:
R58

Programme Code:
MMUS: 890F / MA: 801F

Audition Fee:
£65

Application Fee:
£28.95


Why Study Timpani & Percussion With Us?

 

Dedicated Staff & Small Class Sizes


You will learn from teaching staff who play at the highest level and toured internationally as members of orchestras. Our small class sizes offer you maximal access to practice facilities and ensembles. 

 

 

Focused Learning Experiences


You will receive 40.5 hours of principal study tuition and supporting studies classes each academic year. Staff will provide bespoke feedback to improve your percussion and timpani skills. In addition, weekly orchestral repertoire classes and regular performance classes prepare you to collaborate and learn from your peers. 

 

Collaborative Performances


The programme offers collaborative activities such as performing in the RCS Plug Festival. You will work directly with musicians and composers across the RCS community to create new solo music and play in musical theatre productions, ensembles, symphonic, chamber, opera, wind orchestra and brass groups. 

 

Professional Connections & Practice Spaces


International percussion artists will deliver masterclasses to you and throughout your studies. You will connect with professionals in a supportive environment through our side-by-side schemes with Scotland’s leading orchestras. Further, our three dedicated timpani and percussion studios and collection of high-quality instruments provide you with the space and tools to hone your craft.  

Meet the Staff

Additional Teaching Staff by Instrument

  • Timpani

    Paul Philbert
    Louise Lewis Goodwin
  • Percussion

    Tom Hunter
    Alasdair Kelly
    Simon Lowdon ARAM
  • Special Consultants

    Eric Sammut
    Dave Hassell
    Colin Currie

Masterclasses

As part of our Timpani and Percussion course you will take part in different clinics, workshops, and masterclasses with visiting lecturers we welcome from around the world.

Some of these Masterclasses include:

  • Colin Currie – International Percussion Soloist and Clinician
  • Sam Walton – Eminent Percussionist
  • Birger Sulsbrück – Internationally Renowned Cuban Percussion Expert
  • Leigh Howard Stevens – Internationally Famous Marimbist and Clinician
  • Yasmin Kolberg – Internationally celebrated Marimbist and Clinician
  • Kroumata – long established Swedish percussion ensemble
  • Dame Evelyn Glennie – International Percussion Soloist
  • Joe Locke – World -renowned Jazz Vibraphonist
  • David Searcy – Principal Timpanist La Scala Milan and International Clinician
  • Simon Carrington – Principal Timpanist The London Philharmonic Orchestra
  • Keith Aleo – Avedis Zildjian Company
  • Neil Grover – Boston Symphony orchestra
  • Neil Percy – Principal Percussion London Symphony Orchestra
  • Louise Goodwin – Principal Timpanist Scottish Chamber Orchestra

Facilities

The timpani and percussion department comprises three large studios for exclusive use by timpani and percussion students, equipped with a huge collection of timpani and percussion instruments. We can accommodate the practice of all percussion disciplines with ease within these rooms, from snare drum solos to complex multi-percussion setups The imminent arrival of two sets of Lefima pedal timpani with calf skins will add to our collection of baroque, classical and modern timpani, matching the wide range of instruments encountered in professional orchestras in Scotland and beyond – this is also increasingly important when preparing for timpani auditions worldwide.

The RCS has excellent performance spaces, where you will gain experience performing with RCS orchestras and ensembles in addition to solo and chamber music performances in percussion concerts and recital examinations. The RCS has excellent recording facilities and a superb music library.  

Graduate Destinations

The Timpani and Percussion department has a long-established tradition of producing graduates who hold prominent positions both in the UK and abroad. 

Alumni include: 

  • Louis Abbott – Admiral Fallow 
  • June Binnie – Sinfonia Finlandia 
  • Richard Buckley – Orquestra Sinfonica Portuguesa 
  • Ruari Donaldson – Scottish Opera 
  • Alan Emslie – Baroque specialist 
  • James Gorman – Freelance, currently on the UK tour of Evita 
  • John Poulter – Royal Scottish National Orchestra 
  • Gordon Rigby – BBC Scottish Symphony Orchestra 
  • Philip Hague – Admiral Fallow 
  • Calum Huggan – First British student accepted onto the Advanced Solo Marimba course at the Royal College of Music 
  • Tom Hunter – Bergen Philharmonic Orchestra 
  • Alasdair Kelly – Bologna Opera 
  • David Lyons – BBC Scottish Symphony Orchestra 
  • Kate Openshaw – Camerata Ireland 
  • Louise Paterson – Real Orquesta Sinfonica de Sevilla 
  • Martin Willis – Scottish Ballet 

Programme Structure

The programme structure for your studies will depend on whether you choose to undertake Timpani and Percussion principal study as part of an MMus or an MA in Performance. Further information is available on the MMus/MA Performance page:

MMus/MA Performance


How to Apply

More information about how to apply, including entry requirements and tuition fee & funding information, is available on the MMus/MA Performance page. The specific audition requirements for this principal study are detailed below:

Audition Information

In-person auditions are planned to take place at various locations across the world. Should you apply on time, an audition time slot will be sent to you via Acceptd. You must create an Acceptd account regardless of your audition location. An interview will form part of your audition; this is a chance for the panel to find out more about you and is also an opportunity for you to ask questions about the programme.

Audition Repertoire

Details of the repertoire requested for your in-person audition/recorded submission can be found below: 

  • Bartók Concerto for Orchestra, the Intermezzo (available in Test Pieces for Orchestral Auditions, Schott) 
  • Bartok Violin Concerto Nr.2, slow movement from upbeat to figure 12 to 3rd bar of figure 16 
  • Strauss Der Rosenkavalier (‘Big Waltz’) (Available in Test Pieces for Orchestral Auditions, Schott) 
  • Hindemith Sinfonische Metamorphosen (‘Turandot Scherzo’) (Available in Test Pieces for Orchestral Auditions, Schott) 
  • Prokofiev Alexander Nevsky (Available in the Goldenberg Book) 
  • Gershwin Porgy and Bess (Available in Test Pieces for Orchestral Auditions, Schott) 
  • Hindemith Kammermusik, ‘Movements 1 and 4’ (Available in Test Pieces for Orchestral Auditions, Schott) 
  • Bernstein ‘Cool’, West Side Story (Available in Test Pieces for Orchestral Auditions, Schott) 
  • Rimsky-Korsakov Scheherazade, ‘Movements 3 and 4’ (Available in Test Pieces for Orchestral Auditions, Schott) 
  • Ravel Rhapsodie Espagnol ‘Movements 3 and 4’ (available in Hathaway Snare Drum Book) 
  • Rimsky-Korsakov Capriccio Espagnol (available in the Goldenberg Book) 
  • Suppé Pique Dame (available in the Goldenberg Book) 

Glasgow Auditions

Our Glasgow auditions will take place at RCS from 3-7 November 2025.

All in-person auditions will be given a twenty-minute warm up slot prior to their audition. Please see the audition repertoire requirements above for guidance on what to perform in your audition.

Overseas Auditions

Audition Dates:

  • Singapore, November 2026, Location TBC
  • Qingdao, November 2025, The Yehudi Menuhin School Qingdao (specific audition dates to be confirmed)
  • Seoul, 29 November 2025, Rene Music Hall
  • Los Angeles, 24 & 25 January 2026, Location TBC
  • Chicago, 27 & 28 January 2026, Location TBC
  • New York, 30 & 31 January 2026, Location TBC
  • Toronto, January 2026, Location TBC (specific audition dates to be confirmed)

Our overseas auditions will consist of one panel member and will also be recorded for review by the relevant department. Please note for live overseas auditions, we cannot guarantee that a member of our teaching staff for your specific discipline will be on the panel.

All applicants will need to provide their own instruments (except piano).

All applicants will need to provide their own pianist for overseas auditions.

Deadlines:

  • Qingdao, Singapore and Seoul: UCAS Conservatoires applications and Acceptd submissions must be submitted by 2 October 2025.
  • Los Angeles, New York, Chicago and Toronto: UCAS Conservatoires applications and Acceptd submissions must be submitted by 1 December 2025.

Recorded Auditions

We highly recommend that you audition for us live in person in Glasgow or at one of our overseas locations, as this will give you an opportunity to meet some of the teaching staff here at RCS. However, if you are unable to attend an audition at one of our overseas locations please select the Recorded Submission option your application.

Following review of the recorded submission, applicants may be invited to a live online audition/interview at the discretion of the relevant Head of Department. You may be asked to perform additional repertoire or complete a small aural task as part of this process. If you are recalled, further details and meeting links will be sent to you.

All recorded submissions should contain a spoken introduction in English. Please tell us:

  • Your name
  • A bit about your musical background and training you’ve had till now
  • Your musical ambitions
  • Your reasons for applying to the Royal Conservatoire of Scotland

This video should be no longer than 3 minutes long and separate to your performance video

Your recorded submission must be submitted to Acceptd by the relevant application deadline. You can read our guidance and top tips for recording your audition on School of Music Recorded Audition Guidelines

Contact Us

If you have any questions about the audition process for your relevant location, you can contact us at the following:

More from the Timpani & Percussion Department

Why RCS?

We are the only place in Europe where you can study all of the performing arts on the one campus. There is a distinctive creative energy at RCS and you’ll be made to feel part of our inclusive and diverse environment from the very beginning of your studies.

Our graduates are resourceful, highly employable and members of a dynamic community of artists who make a significant impact across the globe.

At RCS, students develop not just their art but their power to use it.

Why RCS

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World Top Ten


We were voted one of the world’s Top Ten destinations to study the performing arts (QS Rankings) in 2025, the ninth time we have been placed in the top ten since the ranking was established in 2016.