Ballet’s showstopping year

Since its inception in 2009, the BA Modern Ballet degree at the Royal Conservatoire has grown to become one of the UK’s most respected dance training programmes.

Performing for royalty at Buckingham Palace, touring Scotland with an internationally acclaimed company and making the finals of a nationwide TV competition… it has been a showstopping year for the dancers of the Royal Conservatoire of Scotland.

Add to the mix dream job opportunities, a cool Celtic Connections gig, a Canadian exchange and a global sporting event — a whirl of high-profile and once-in-a-lifetime events, and that’s all before they’ve even dipped a toe in the professional world.

“It has been quite the year,” nods Kerry Livingstone, Head of the BA Modern Ballet programme, an undergraduate degree that’s delivered in partnership with Scottish Ballet.

“We’ve had so many amazing highlights — students have danced at Buckingham Palace, the Royal Opera House and on film and television, while our graduates have taken up positions in companies including Scottish Ballet, National Ballet of Portugal, Northern Ballet and Ballet Cymru, and three have joined Matthew Bourne’s New Adventures in two years.

“There couldn’t have been a better way to celebrate the tenth anniversary of the programme.”

Kerry Livingstone

The September 2018 term began with third year students setting off on a Scotland-wide tour with Scottish Ballet’s Wee Hansel & Gretel, a ‘wee version of a big ballet’ — it was such a hit, it continued again this year, with a new cohort travelling across the country.

“What the dancers learned by working alongside the company is unique in terms of ballet training in the UK,” says Kerry.

“Individual students often get opportunities but the whole third year cohort has been involved, over two years, which is fantastic.

Christopher Hampson, Scottish Ballet’s Artistic Director and CEO, adapted his full-length Hansel & Gretel for this production so the first cohort of students spent three days in the studio with him at Scottish Ballet while it was being re-choreographed.

To see that process, and to be in the studio with him, was an incredible experience.”

The Modern Ballet degree gives students an insight into professional life and students regularly work with the world-renowned company, as well as acclaimed teachers and choreographers.

“To tour as part of a professional company, before graduating, is rare,” says Kerry.

“The dancers deeply appreciated the experience — being immersed in that environment, as they approached graduation and were preparing to audition, was invaluable.”

In December 2018, four third year students toured with Scottish Ballet’s Cinderella and in January this year, company soloist Jamiel Laurence choreographed a new piece for the second years — a ten-minute work that they performed on stage with folk artist Jarlath Henderson at Glasgow’s City Halls as part of Celtic Connections.

Dancers were also involved in Jamiel’s short film Flight for BBC Arts’ Dance Passion season which involved 43 dancers, one staircase, one smartphone and one take at BBC Scotland’s Glasgow HQ.

“We regularly work with guest artists and the way our curriculum is structured means we can use class time to facilitate any rehearsals” says Kerry.

We’re responsive to any opportunities that come up because we recognise how beneficial they are to the students’ development.

Kerry Livingstone

As the year progressed, the students remained firmly in the spotlight and when two students leapt into the finals of the BBC Young Dancer competition 2019, it sent ripples of excitement through the dance studios and beyond.

Third years Danila Marzilli and Louis Fukuhara reached the ballet category finals of the nationwide contest, which was televised on BBC Four.

“To have two of the five ballet finalists in BBC Young Dancer 2019 was very exciting and Danila and Louis were terrific ambassadors for the Royal Conservatoire. We were thrilled to see their talents recognised in a nationwide showcase which opened up new performance opportunities for them. We also had Kira Ewing, who was a second year student at the time, reach the semi-finals — we were all so incredibly proud of them.”

Danila, who is with Ballet Cymru, says: “It was incredible and I feel so honoured to have been selected, especially being one of two from Scotland, with Louis and I being in the same  year at RCS. It was an amazing experience and it didn’t even feel like competition between the five finalists, we grew to be really good friends.”

Hot on the contest’s heels was the annual graduation show that perfectly illustrated the strength of this three-year degree programme — a blend of classical repertoire and powerful contemporary pieces, created by some of the dance world’s leading lights.

“Dance that engages with real flair across a spectrum of styles,” noted dance writer Mary Brennan in The Herald. It included Surveillance by student Rosie Mackley who won the ballet department’s annual choreography competition and later staged the piece at the Royal Opera House.

“We were thrilled when Rosie was selected as part of the Royal Opera House Young Creatives programme, where she was mentored by The Royal Ballet’s Valentino Zucchetti. Surveillance was performed by six fellow students at the Royal Opera House and the Southbank.”

The teaching year came to a spectacular close with a very special invitation — to perform at Buckingham Palace for the Royal Conservatoire’s Patron, His Royal Highness The Prince Charles, The Duke of Rothesay.

“We took the whole cohort of third years to London to perform at a gala dinner for The Prince’s Foundation which was just a lovely and positive experience for them all.

“They performed alongside our musicians and alumni — mezzo-soprano Karen Cargill and conductor Jessica Cottis and actor Sam Heughan — and had the most wonderful time.”

And she says the lead-up to the event came with its own magical moment: “We were rehearsing one day with the orchestra and Jessica, and the orchestra had never seen the dancers perform because they’re always in the pit below the stage.

The dancers were in front of them and there was such a great energy in the room and they were feeding off of each other. I won’t forget that.”

The dancers delivered another winning performance when they helped launch one of the world’s biggest golf events. In September, they joined forces with Royal Conservatoire musicians for the opening celebration of international golf showdown, the Solheim Cup. Graduates, the Broen Ensemble, played live to a video backdrop — ten students dancing in the grounds of Perthshire’s Scone Palace.

To top it all off, graduating students have made some thrilling moves. Rose Goddard is making her professional debut as Nadia in Matthew Bourne’s double Olivier award-winning The Red Shoes. She follows in the footsteps of classmate Louis Fukuhara, who was an original cast member in Bourne’s recent world premiere of Romeo and Juliet and 2018 grad Keenan Fletcher, who is touring the world in the iconic Swan Lake.

Hannah Cubitt has joined Scottish Ballet while Paul Kenny is at The Ballet of the Sorbisches National Ensemble.

“The graduate destinations over the last few years are a strong representation of the course,” says Kerry.

“Contemporary continues to be really important in what we do and that feels like something that sets us apart from other ballet schools. We are a ballet programme but the level of contemporary we’re achieving is what’s making our students very appealing to employers because they can do the repertoire that’s required.”

Kerry has been with the programme since the beginning, so what does she hope the next decade will bring?

“We’re really ambitious for the course and we’re constantly moving forward. We’ll continue to say ‘yes’ to all these amazing opportunities because we see the positive impact they have. We’re a great team, all working together for the students and we’re always excited to see the progress that they make year on year.”

Covid-19: discover our latest updates