Ashanti Harris is a multi-disciplinary artist and researcher based in Glasgow. Working with dance, performance, facilitation, film, installation and writing, Ashanti’s work disrupts historical narratives and reimagines them from a Caribbean diasporic perspective. Her recent research projects have explored: Dance of the African and Caribbean Diaspora in Scotland; Guyanese Women in Scotland in the 18th and 19th Centuries; and more recently Oil’ Dorado – Exploring relationships of Extraction between Scotland and Guyana.

Ashanti is a lecturer in Contemporary Performance at the Royal Conservatoire of Scotland and co-facilitates the British Art Network research group The Re-Action of Black Performance alongside artist and curator, Sabrina Henry. As part of her creative practice, she is co-director of the company Project X – platforming dance of the African and Caribbean diaspora in Scotland; and works collaboratively as part of the collective Glasgow Open Dance School (G.O.D.S) – facilitating experimental movement workshops and research groups.

Recent commissions and exhibitions include: JUMBIES, Glasgow International, Glasgow (2021); This Woman’s Work, Third Horizon Film Festival, Miami (2021); Radio Space, Borealis Festival, Bergen (2021); Miraculous Noise, Viborg Kunsthal, Viborg (2021); OHCE, Radiophrenia, 87.9fm (2020); Being Present, OGR, Torino (2020); In The Open, The Common Guild, Glasgow (2020); The Index Impulse, Alchemy Film Festival, Hawick (2020); Pre-Ramble, David Dale, Glasgow (2020); The Skeleton of a Name, Transmission Gallery, Glasgow (2019); Second Site, Civic Room, Glasgow (2019); Walking Through the Shadows Eyes Open, SUBSOLO Laboratório de Arte, Sao Paolo, (2019)