Staff A-Z

Stephanie studied at the Royal Northern College of Music from 2000-2005. Following on from her studies, Stephanie began her freelance career playing with orchestras including the Halle, BBC Philharmonic, Opera North, Chamber Orchestra of Europe, BBC National Orchestra of Wales, Philharmonia, CBSO, Scottish Opera and Manchester Camerata. She also played on tour with Grammy Award- winning singer Adele. She began her current positions as Sub-Principal 4th horn at the BBC Scottish Symphony Orchestra in 2009 and began tutoring at the Royal Conservatoire of Scotland in 2012.

In 2023 Stephanie completed a PG Diploma in Learning and Teaching in Performing Arts and is a Fellow of the Higher Education Authority.

Stephanie has a passion for education and regularly participates in workshops and projects with the BBC SSO in primary and secondary schools and Tunes for Tots with pre- school children. This work has also included sessions in HMP Low Moss Prison. Stephanie is one of the regular coaches for the National Youth Orchestra of Scotland.

Stephanie enjoys chamber music and is a member of the Rookh Horn Quartet, she also frequently joins colleagues from the BBC SSO for chamber concerts.

Alasdair is an experienced timpanist and percussionist whose wide-ranging interests highlight the demands made of a modern professional musician.

They formerly performed with the Opera of Bologna, Italy. 

As Head of Engagement, Deborah works with her team to develop and deliver the full range of Engagement services, programmes and initiatives at the Conservatoire. She has recently developed the Engagement Strategy (25/26 to 29/30), which is central to the team’s ambitions and defines work across four areas: Creative Enterprise, Innovation, Public Engagement, and Engagement Culture & Infrastructure. Deborah works alongside Knowledge Exchange colleagues in Scotland and through Conservatoires UK to advocate for the specific strengths and challenges of small specialist creative arts institutions.

David is a professional freelance percussionist who frequently performs with Scotland’s top orchestras and touring productions. He has a passion for drum kit and world percussion and enjoys performing percussion in musical theatre and cabaret acts. David maintains a diverse teaching career.

Yoon-Kyung has built a long and distinguished career dedicated to nurturing musical talent since the 1990s. Her experience spans teaching musical theory and providing instruction in both group settings and one-on-one lessons, catering to the diverse needs and learning styles of her students. Her comprehensive approach to music education ensures students not only achieve technical proficiency, but also develop a deep understanding of musical theory, enhancing their overall musicianship.

As a seasoned teacher and accompanist, she possesses the expertise to guide students at various stages of their musical journey, including preparing them for professional qualifications such as those offered by the ABRSM. Additionally, she has been instrumental in helping students with ABRSM grade exams as an accompanist and teacher and in securing music scholarships.

Dr Robert Laidlow is a composer and researcher, whose work is concerned with discovering and developing new forms of musical expression through the relationship between advanced technology, scientific collaboration, and live performance.

Mhairi Lawson is a teacher in the Vocal Performance Department at the RCS and also runs a Performance Practice Clinic designed to help students of all abilities and voice types with stylistic aspects of repertoire.

Greg Lawson is a violinist, composer and conductor who has explored music from many genres. He studied violin at the Royal Northern College of Music with Malcolm Layfield and Eligh Goren and in West Berlin with Ilan Gronich.

Helen Lawson was born in Northumberland and studied singing at the Royal College of Music and the National Opera Studio in London. Helen has appeared as soloist in opera houses at home and abroad, including English National Opera; City of Birmingham Touring Opera; English Touring Opera; De Vlaamse Opera Antwerpen and Landestheater Thüringen. Having taught singing in German universities (Bayreuth and Bamberg), Helen moved to Glasgow in 2002 to take up the post of Lecturer in Vocal Studies at the Royal Scottish Academy of Music and Drama (now the Royal Conservatoire of Scotland).

Zander started as a resident technician in the Theatre Royal Glasgow, then joined Scottish Opera as a touring technician/touring carpenter. He then went on to work mainly as a carpenter but also as a technician with various theatres and theatre companies.

“Formidably equipped” – Gramophone

“Flabbergasted” – The Herald

“Phenomenal” – The Classical Reviewer

South Korean-born pianist Sinae Lee leads a busy life as a soloist, chamber musician and lecturer at the Royal Conservatoire of Scotland (RCS) in Glasgow, UK. Since her UK début with the Royal Scottish National Orchestra (RSNO), playing Brahms Piano Concerto No.1, she has also played with the Korean Symphony Orchestra, St. James Orchestra, Glasgow Orchestral Society as well as RCS Orchestra and Wind Ensemble. She has frequently appeared in concerts in New York, St. Petersburg, Riga, London, Edinburgh and Glasgow as well as cities in her native Korea such as Seoul, Suwon and Busan.

Katrina Lee, a Yorkshire-born Violinist, is a distinguished alumna of the Royal Conservatoire of Scotland. She graduated with first-class Honours in 2014 and earned her Master of Music in 2016, studying under Andrea Gajic. Her academic journey was marked by numerous accolades, including the Hilda Bailey award, Ian D Watt award, Governors Prize for Strings, Robert Highgate Scholarship, and the Governors Prize for chamber music.

Louise studied at the Royal College of Music, where she graduated with 1st Class Honours and was awarded the Queen Elizabeth The Queen Mother Rosebowl by HRH The Prince of Wales.

In addition to her role in the SCO, Louise enjoys a wide-ranging freelance career, regularly performing with ensembles across the UK including the London Symphony Orchestra, Academy of St Martin in the Fields, Royal Philharmonic Orchestara, BBC Symphony Orchestra, Philharmonia, London Sinfonietta, City of Birmingham Symphony Orchestra, and the Aurora Orchestra.

Tim Licata is a part-time lecturer teaching Movement in Performance on the BA Performance course in BSL and English.

Rachel has forged a path for herself in the Scottish music scene. Her ears and influences are immersed in a broad range of styles and sounds, creating her genre-hopping and fluid approach to writing and interpreting music. She has been sought out for many different collaborations (Mezcla, The Elusive Tree, Alyn Cosker) which allows her to challenge her instrument, as well as explore what it means to be a vocalist.