Staff A-Z

Member of the Nominations and Governance Committee

Ms Wells is an advocate for increasing access to musical training. She was involved with several inner city initiatives in Baltimore and served as Chair of the Board of TUBA: The Uganda-Baltimore Alliance, providing mentorship to a brass band project in rural Uganda.

Innes White teaches acoustic guitar and mandolin on the BMus Traditional Music Course.

Rebecca Whitener is a professional clarinettist, teacher, chamber music coach, mentor, music educator and conductor based in Scotland. She regularly performs with world class ensembles and is a founding member of Arctic Winds Wind Quintet, Sound Collective Scotland and Cameo Clarinet Quartet. Rebecca is an experienced teacher and mentor, having taught Clarinet and Chamber Music at the Royal Conservatoire of Scotland Junior department since 2009. She has also guest tutored for the National Youth Orchestra of Scotland, Scottish Schools Orchestra Trust, and the Faroese National Concert Band Festival.

Bethany’s research focuses on the cultural and social analysis of participatory dance and dance organisations, often through ethnographic means. Since 2015, research activity has been closely tied to the Engagement work of Scottish Ballet, focused in two areas: a) Dance for Health, working with dancers with dementia, multiple sclerosis, and Parkinson’s, and b) education opportunities for professional ballet and contemporary company dancers in the UK.

Carol has been a part of Fair Access team since it started at RCS and she has been able to watch what we offer grow and develop, learning from all of our students along the way.

Carole is a graduate of the Conservatoire where she studied Contemporary Theatre Practice followed by a Post Graduate Certificate in Learning and Teaching in Arts Education. She studied at RCS as a mature student where she was able to turn a lifelong passion for theatre and performance into a career. She considers herself to be a lifelong learner taking every opportunity to develop new skills.

Duncan has had a relationship with the Royal Conservatoire of Scotland for the last 20 years as both a teacher and visiting coach and has now taken up the post of full-time coach in the Opera Department.

Lisa holds Impact Clinics from 10am – 2pm on the last Wednesday of each month. This is an opportunity for staff who are active in research and engagement to discuss ideas and receive support on all aspects of impact (including planning, development, and Athenaeum Award applications).

Impact Clinics take place online, offering 1:1 slots of up to 30 minutes. If you would like to attend, please email l.williams@rcs.ac.uk

Upcoming Impact Clinic Dates:

• 30th September 2026
• 28th October 2026
• 25th November 2026
• 16th December 2026
• 27th January 2027
• 24th February 2027
• 31st March 2027
• 28th April 2027
• 26th May 2027

Marion is currently Associate Principal 2nd Violin with the RSNO. She has taught at the RCS Junior Conservatoire since the early 2000s, has coached on NYOS Symphony Orchestra courses for approximately 10 years, and has taught numerous pupils privately.

Tom was born in Manchester in 1957. In the 1970s, he studied composition at the Birmingham Conservatoire with Andrew Downs. In the 1980s, as a student at Goldsmiths University of London, he spent five years studying composition with Melanie Dakin and Edward Gregson. For ten years he was Head of Woodwind and Tutor for Academic Music at Uppingham School in Rutland. Since 1989, Tom has lived in Glasgow and Musselburgh, where he teaches composition at the Royal Conservatoire of Scotland and St. Mary’s Music School in Edinburgh.

Molly helps connect students, staff, and graduates with funding and support for exciting ideas and projects, and comes into classes to talk to students about all the amazing opportunities CEDO provides. Molly also trained at RCS on the MFA Acting course 2025-2026. From here, she went on to debut her one-woman show Rockpools at the CCA and at the Fringe 2026.

Robert Winn is an acclaimed tutor and performer having shown his success through his appointments as well as his students’ achievements.

Fiona studied at the Juilliard School in New York, going on to become Principal Violist of the Royal Philharmonic and Royal Liverpool Philharmonic Orchestras. As a chamber musician Fiona has appeared at halls and festivals all over the world, such as Carnegie Hall, Bargemusic, Lincoln Centre, New York, Festival da Camera, Lima, the Wigmore Hall, Edinburgh International Festival, Singapore Esplanade Hall and the Banff Centre.

Konrad is a Saxophone lecturer on the Jazz course at the Royal Conservatoire of Scotland.

BA Honours, Dramatic Studies [Directing] 1994-1998

Susan is an award winning theatre director and voice specialist, drawing from her 30 years of experience of the Nadine George Voice Work. She has won 4 separate Made in Scotland Awards for her theatre productions and is Associate Teacher at the Royal Conservatoire of Scotland where she originally trained for her BA Honours (Directing).

Nick Woud is a prestigious Timpani player and professor. He is widely regarded as one of the pioneers of Baroque timpani performance and was Principal Timpanist with some of Netherland’s biggest orchestras.

As the KE Development Assistant, Gallia supports the Engagement team to deliver on Enterprise, Innovation, and Public Engagement through administrative support and project operations. In addition, Gallia manages the staff Athenaeum Awards and the Engagement Committee.

Internationally acclaimed for his “expressive depth, refined tone, and commanding presence”, violinist Igor Yuzefovich has held the esteemed position of Leader with the BBC Symphony Orchestra since 2018, and was most recently appointed as Principal Guest Leader of the Royal Scottish National Orchestra.

Dr Svetlana Zvereva is a musicologist, editor, choral conductor, lecturer, and language coach. She is well-known internationally as a specialist in Russian music, both through her publications and through many years of participating in international conferences, seminars, and lectures, and also as an organiser of music festivals and exhibitions. She has participated over the years in several Russian and international projects related to the editing, popularising, and performing of Russian music, as well as the strengthening of the Russian cultural heritage.