International Visiting Professor in Contemporary Improvisation
Anto Pett graduated from the Conservatoire of Tallinn (now renamed Estonian Academy of Music and Theatre) as a pianist and composer. Since 1987 he has been teaching harmony and improvisation at the Estonian Academy of Music and Theatre.
Paul has been a guest Timpanist with many professional orchestras including the BBC Philharmonic, the Philharmonia, Royal Opera House Covent Garden, BBC Symphony, Seoul Philharmonic, the Hallé, Singapore Symphony, Royal Philharmonic, National Taiwan Symphony and Bournemouth Symphony to name but a few. In 2018 Paul moved to Glasgow and is now the Section Principal Timpanist, and a Player Director with the Royal Scottish National Orchestra, a Timpani Tutor at the Royal Conservatoire of Scotland, and a member of Board for Sistema Scotland, Direct Mediation Services, and Spectrum Culture Exchange.
After studying in Switzerland with Max Rostal, and working in Europe, Angus Ramsay has been the Principal 2nd Violinist with the Scottish Opera Orchestra for many years. For the past thirty years, he has taught at the Royal Conservatoire of Scotland and Napier University for the last six years. Previously taught at Fettes College for nineteen years. He was also been Artistic Director of the Mendelssohn on Mull Festival before co-founding the Cantilena Festival on Islay with Adrian Shepherd and Scott Mitchell.
Anna was born in St Petersburg, Russia, where she studied in Music School, The Rimsky-Korsakov Music College, and then in The St Petersburg (Leningrad) State Conservatoire. Anna graduated from Conservatoire with Honours diploma, qualifying as concert pianist, chamber ensemble player, piano accompanist and piano teacher. Currently, Anna teaches piano for BEd pupils (first and second study piano, piano accompaniment). She continues to accompany conducting classes at RCS and teaches piano at RCS Junior Conservatoire. She also continues teaching piano at Music School of Douglas Academy and The Glasgow Academy.
Mark Reynolds studied at the Royal Scottish Academy of Music and Drama, and it was during this time that he was chosen to play with the Jeunesses Musicales World Youth Orchestra and became a founding member of the World Brass Ensemble.
Janet became became piccolo tutor at RNCM in 2016 and has taught at the Royal Conservatoire of Scotland for almost twenty-six years and is regularly invited to teach at other Conservatoires throughout the UK.
Ailie is a multi-award-winning Scottish composer/harpist who has been commissioned by some of the world’s most prestigious cultural institutions including BBC Proms, the London Philharmonic Orchestra, Bang on a Can, Cappella Nova, Exaudi and the Riot Ensemble. She is currently composer-in-residence with Sound Festival and Glyndebourne Orchestra. She was awarded the “Achievement in New Music” prize at the Scottish Awards for New Music.
Professor Stephen Robertson is a vocal pedagogue who is much in demand both nationally and internationally. Having partly retired he now devotes his time to voice teaching and research.
Dr Brianna E. Robertson-Kirkland is a Lecturer in Historical Musicology at The Royal Conservatoire of Scotland and is the Lead Research Associate for the AHRC-funded project ‘The Edited Collection of Allan Ramsay’ at the University of Glasgow.
Dr Jo Ronan is the originator of Dialectical Collaborative Theatre (DCT), a research/production/performance methodology developed to interrupt hegemonic hierarchical collaborative theatre practice. She formed the collective BloodWater Theatre (2012) to explore the tensions between performance as product and process, producing/performing work at the Tron and the CCA in Glasgow. She applies DCT in her current role as Interim Programme Lead in Contemporary Performance Practice at the Royal Conservatoire of Scotland.