Benedicte has worked as an actor, deviser, movement tutor, director and movement director before joining the Royal Conservatoire of Scotland as a Lecturer in Movement in 2009 on the BA Acting Programme.
Suzanne trained at the Dance School of Scotland, the London Studio Centre and completed her Post Graduate Certificate in Learning and Teaching at the Royal Conservatoire of Scotland. She’s the Juniors Dance Coordinator and dance lecturer at the RCS and is also part of the team of teachers who work with the Juniors Associates at Scottish Ballet.
Pianist and composer, Professor Jeffrey Sharkey, became Principal of the Royal Conservatoire of Scotland in September 2014, leading Scotland’s national conservatoire of dance, drama, music, production and screen. During his tenure, RCS has raised its profile domestically and internationally and has been consistently ranked in the top 10 world leading institutions for performing arts education (QS World Rankings). He is passionate about all of the RCS’s performing and production arts and the collaboration between them. He has grown several key partnerships, having RCS join the Nordic Association of Conservatoires as well as CUK and AEC.
Sean Shibe – the first guitarist to be admitted to the prestigious BBC Radio 3 New Generation Artists Scheme and the only solo guitarist to have received a Borletti-Buitoni Fellowship.
In 2006, Aaron Shorr was appointed Head of Keyboard at the Royal Conservatoire of Scotland. In 2013, he was awarded a Professorship from the RCS and in 2013-2015, also served as Acting Director of Music at the RCS.
Marc Silberschatz holds a PhD from the University of St Andrews and the Royal Conservatoire of Scotland and an MA with Distinction in Classical and Contemporary Text (Directing).
Bekah is a Lecturer at the Royal Conservatoire of Scotland, following previous academic positions at the University of Toronto and the University of Western Ontario. She holds a D.M.A. and M.Mus in music composition from the University of Toronto, and a B.Mus.Ed. and B.Mus in theory/composition from Memorial University of Newfoundland. Her principal teachers during academic studies were Gary Kulesha and Andrew Staniland, alongside significant private study with Clara Iannotta and Martin Bédard.
Becca is one of the Fair Access Coordinators working in outreach. She has been working for Fair Access since 2017 and worked in multiple different roles, so she’s had the opportunity to see the department from many different angles.
Her work is centered on engaging with marginalised communities, especially young people facing complex barriers to participation. Within her role at Fair Access, Becca is able to create opportunities to support these communities with access to the performing and production arts, connect with young artists across Scotland, develop interesting programmes and get involved in loads of cool projects!
Ruth Slater is a professor of baroque violin and viola as well as coordinator and author of the Baroque Music and Ensemble Module at the Royal Conservatoire of Scotland.
Eilidh Slattery is a Lecturer in Arts Education at the Royal Conservatoire of Scotland (RCS), a leading voice in dance education across Scotland, and an active researcher in teacher professional learning. Her research focuses on supporting primary teachers to develop their use of dance and creative movement, ensuring children and young people have equitable access to dance education.
Andrew pursues a varied career as a saxophonist, teacher, and researcher, based in Edinburgh, Scotland. He has been involved in commissioning and/or premiering new works by Charlotte Bray, Tansy Davies, Edward McGuire, and Ailie Robertson and has also worked with the BBC Scottish Symphony Orchestra, Scottish Ballet, and the Royal Scottish National Orchestra. In addition to performing and teaching, Andrew pursues related research interests in musicology and education, generating traditional written outputs, research-led artistic practice, and improved outcomes for learning and teaching.
Folk Ensemble Lecturer /Mentor, Scottish Accordion Tutor
Learn about John Somerville
John Somerville
Folk Ensemble Lecturer /Mentor, Scottish Accordion Tutor
John is a Lecturer and Folk Ensemble Mentor on the BMus Traditional Music course. He also teaches Principal Study Accordion as part of the Scottish Traditional Music degree.
Mark Stevenson works as a lecturer in acting and directs several programmes at RCS, including the BA Performance in BSL and English programme. He is a graduate of both the University of Oxford and the Royal Conservatoire of Scotland (RSAMD as was!). He has worked as an actor across Scotland as well as internationally.
Peter Stewart lectures at the Royal Conservatoire of Scotland and the Aberdeen City Music School and has previously taught at Aberdeen College of Music and Performing Arts.
Martin Storey has performed in many countries around the world as a soloist and chamber musician and has served as principal cellist with many British orchestras such as the Philharmonia, Royal Philharmonic Orchestra, London Symphony Orchestra, Orchestra of the Royal Opera House, BBC Symphony Orchestra, London Sinfonietta and Scottish Chamber Orchestra. For over eight years he held the position of Principal Cellist with the BBC Scottish Symphony Orchestra and in 2019 he was appointed principal cellist of Scottish Opera.
Clare Sutherland presently teaches Piano and Accompaniment on the BEd course at the Conservatoire. She enjoys helping students improve their Piano skills and widening their general repertoire.
Tony Swainson is a senior brass lecturer and Former Principal Tuba for the BBC Scottish Symphony Orchestra. He has seen many of his students go on to prestigious professional positions around the world. He is a graduate of the Royal Manchester College of Music, now the RNCM, where he studied tuba with the renowned tuba player, Stuart Roebuck, as well as piano and composition.