Always driven by collaboration and innovation, Finlay’s passion for the music he has grown up with has led him to the post of “Head of Piping Studies” at the National Piping Centre and the Royal Conservatoire of Scotland where he continues to inspire and develop the very best of new Piping talent.
Lucien has worked as an actor, deviser, movement tutor, director and movement director before joining the RCS as a Lecturer in Movement in 2009 on the BA Acting Programme. He teaches movement, modules and co-ordinates New Work as well as giving workshops to other programmes.
Wilma MacDougall has worked as a vocal lecturer at the Royal Conservatoire of Scotland for seventeen years. Her students have sung at many of the world’s top opera houses and concert halls. She is recognised for her technical expertise, extensive repertoire knowledge and dedication to her students.
“The serenity sustained throughout this album is astonishing. MacFarlane and Milligan play with a tenderness and sensitivity that heals the soul“- Jazz Journal
Head of Postgraduate Learning and Teaching Programmes and Academic Development
Learn about Jamie Mackay
Jamie Mackay
Head of Postgraduate Learning and Teaching Programmes and Academic Development
Jamie Mackay (SFHEA) is a graduate of the Glasgow School of Art and joined the Royal Conservatoire of Scotland (then RSAMD) as a freelance tutor in scenic art in 1995. Following attainment of the RCS Postgraduate Certificate and HEA Fellow status, Jamie secured the role of Lecturer in Design and Scenic Art from 2009.
In 2015, Jamie was appointed as the Head of Postgraduate Learning and Teaching Programmes and Academic Development and now leads the PG Cert in Learning and Teaching in the Arts and the MEd in Learning and Teaching in the Arts.
Steve holds a Master’s Degree in Learning and Teaching in Higher Education but still keeps active in the professional theatre industry by working freelance as a qualified rigger and automation programmer.
As well as fulfilling professional engagements, Pat taught singing at the Royal Scottish Academy of Music and Drama for over thirty years and she received an Honorary Fellowship in March 2000. She is still very much sought after by students at home and abroad.
James MacMillan read music at Edinburgh University and took Doctoral studies in composition at Durham University with John Casken. After working as a lecturer at Manchester University, he returned to Scotland and settled in Glasgow. The successful premiere of Tryst at the 1990 St Magnus Festival led to his appointment as an Affiliate Composer of the Scottish Chamber Orchestra. Between 1992 and 2002, he was Artistic Director of the Philharmonia Orchestra’s Music of Today series of contemporary music concerts. MacMillan is internationally active as a conductor, working as Composer/Conductor with the BBC Philharmonic between 2000 and 2009, and was appointed Principal Guest Conductor of the Netherlands Radio Chamber Philharmonic in 2010. He was awarded a CBE in January 2004.
Stuart MacRae teaches composition at the Royal Conservatoire of Scotland, including classes on music analysis for composers, contemporary repertoire, and notation. As a Senior Research Fellow, his interests lie in word-setting for the operatic voice, reimagining tonal harmony, and artistic responses to the Anthropocene.
I am one of the part-time administrators for Juniors DDPF. I am a playwright and screenwriter from Glenrothes and I graduated with an MA Dramatic Writing from New York University in 2019. What I love most about this role is the opportunity to directly support young people who are working towards their dreams in the performing arts and helping to ensure that they can make the most out of their time at the Junior Conservatoire.
Martin Mallorie began his career in professional theatre over thirty years ago and has worked extensively in design, music, prop making, prosthetics, pyrotechnics and animatronics.
